OperaMania's photos with the keyword: Marie

MARIE-JULIE BARETTI (Marie Julie Blanche BARETTY). -(.Bordeaux, February 10, 1838 - Paris, 16 December 1877). French Soprano sang in the première of Maillart's "Les pecheurs de Catane" (1860) and "Lara" (1864), Reyer's "La statue" (1861) and David's "Le saphir" (1865

Paola Marié as Clairette in "La fille de Madame Angot".by Lecocq CREATOR in Paris Premiere PAOLA MARIE (1847-1919); French mezzo-soprano. Known for her performance as Clairette Angot in Charles Lecocq’s “La fille de Madam Angot”, a rôle she created at the Paris-première in 1873 at the Théâtre des Folies-Dramatiques. in the rôle of Clairette.Known for her interpretations of Carmen and Mignon, rôles that had been created by her sister, the famous mezzo-soprano Célèstine Galli-Marié (1840-1905). In 1877 she created the rôle of Lazuli in Chabrier’s “L’ Étoile” at the Bouffes-Parisiens

Paola Marié as Clairette in "La fille de Madame Angot" ..by Lecocq PAOLA MARIE (1847-1919); French mezzo-soprano. Known for her performance as Clairette Angot in Charles Lecocq’s “La fille de Madam Angot”, a rôle she created at the Paris-première in 1873 at the Théâtre des Folies-Dramatiques. in the rôle of Clairette.Known for her interpretations of Carmen and Mignon, rôles that had been created by her sister, the famous mezzo-soprano Célèstine Galli-Marié (1840-1905). In 1877 she created the rôle of Lazuli in Chabrier’s “L’ Étoile” at the Bouffes-Parisiens

Marie Cabel as Philine 'Mignon" Thomas CREATOR l'Opéra-Comique 17 novembre 1866 MARIE CABEL ( Marie-Josèphe Dreulette[in Liège) (31 January 1827 – 23 May 1885) Belgian Soprano. She is probably best remembered for having created the role of Philine in Ambroise Thomas' opera Mignon. Cabel first studied voice in Liège with Bouillon, and, her father having died, gave music lessons to help support her mother. Cabel's younger brother Edmond also became a singer and in 1863 created the role of Hylas in Hector Berlioz' Les Troyens. Cabel studied voice in Brussels with Ferdinand Cabel and Louis-Joseph Cabel. In 1847 she gave a concert in Paris and continued her studies at the Paris Conservatory in 1848–1849. Cabel made her operatic debut in Paris at the Théâtre Chateau des Fleurs in 1848, and in 1849 sang the roles of Georgette in Halévy's Le val d'Andorre and Athénaïs in Halévy's Les mousquetaires de la reine at the Opéra-Comique, where she went almost unnoticed. Moving back to Brussels, she sang at the Théâtre de la Monnaie from 1850 to 1853 with greater success In 1852 she also appeared in Lyon,

Amélie FAIVRE (Louise Marie Amélie FAIVRE) french mezzo-soprano (Paris, 04 February 1837 - 75017.Paris, November 17, 1897) Sister of Marie FAIVRE, singer. At the Conservatoire de Paris, she obtained third runner-up in 1857 in singing and a second prize of Opéra-Comique. She had a career at the Théâtre-Lyrique, but at the same time, she created in Baden: July 15, 1858 the mill of the King of Adrien Boieldieu; 03 August 1860la Colombe (Mazet) by Charles Gounod; on July 31, 1861 Deux amours by Gevaert. August 21, 1862 Erostrate (Rhodina) by Ernest Reyer; July 27, 1863la Fille de l'orfèvre , by Edmond Membree. She sang on November 16, 1863 at the premiere la Monnaie Brussels d'Oberon ou le Cor magique (Fatima) Weber [French version of Nuitter, Beaumont and Chazot]. She created , in March 1859 in concert,la Mort de Socrate d'Edmond Hocmelle ; in February 1862 in Paris, le Valet-poète de Raoul de Lostanges Raoul ; in May 1873, at the Cercle artistique et littéraire Brussels (under the name of Ms. Mme Réty-Faivre), le Tricorne enchanté by Léon Jouret.

MARIE CONSTANCE SASSE . -Belgian soprano (Ghent, 26 January 1834 - 75016.Paris, November 07, 1907).Debut on 01 October 1859, at the Théâtre-Lyrique, 03 August 1860 at the Opera ROBERT LE DIABLE by Meyerbeer (Alice). She sang LA JUIVE by Halévy (Rachel); Verdi IL TROVATORE (Leonora). VESPERS Sicilian Verdi (Helene); THE Queen of Sheba by Gounod (Queen); DON JUAN de Mozart (Elvira, Donna Anna); THE HUGUENOTS (Valentine); HAMLET (Ophelia, 1872). She participated in the first 13 March 1861 Tannhäuser (Elisabeth) Wagner. She created April 28, 1865 L'AFRICAINE (Selika) of Meyerbeer; on March 11, 1867 DON CARLOS (Elisabeth de Valois) for Verdi. She left the Opera in 1872. She has sung under the names of Sax, Saxe, Sass-Castelmary and under his own name.