OperaMania's photos with the keyword: Pierre

JEAN-LOUIS LASALLE -Baritone (.Lyon, December 10, 1845 or 14 February 1847 - September 07, 1909). Father of Robert Lassalle tenor. Student at Paris Concervatoire and later a pupil of Novelli.He made his first appearance on stage as St Bris in "Les Huguenot's" at Liege in 1868. During the next 4 years he sang at Lille , Toulouse , Brussels and the Hague . Debuted at the Opera on 09 June 1872 , as Nelusko "L'Africane". There he took part in many world premieres as Scindia in Massenet's "La Roi De Lahore" 1877 , Severe in Gounod's "Polyeucte" 1878 ,Ben Said in Gounod's "Le Tribute de Zamora ' 1880 ,Malatesta in Thomas's 'Francoise de Rimini" 1880 , and in 1183 the title role of Saint Saens "Henry VIII". He sang at Covent Garden 1879 , 1880 and 1881 and again between 1883-1891.In 1891 he made his Metropolitan Debut as Nelusko in Meyerbeer's "L'Africane". He sang Carmen (Escamillo) at the Opéra-Comique on December 11, 1890, for the erection of the monument to the memory of Bizet.

Pierre Jules Michot- as Tamino in Mozart’s “Die Zauberflöte PIERRE JULES MICHOT -French Tenor 1832-1896 In 1856 he made his debut at the Théâtre-Lyrique in the opera “Richard Coeur-de- Lion” by Grétry. In 1859 he sang at the première of “La fée Carabosse” by Victor Massé and he created the rôle of Scopas in Reyer’s “Erostrate” (1862). From 1859-1865 he was engaged by the Grand-Opéra Paris, but then returned to the Théâtre-Lyrique. Here he created in 1867 the rôle of Roméo in Gounod's "Roméo et Juliette" with Marie Caroline Miolan Carvalho as Juliette. His career did not last long because his last (guest)performance was in 1868 at the Marseille Opera in Verdi’s “Vêpres Siciliennes”.

Pierre Jules as Roméo in Gounod's "Roméo et Juliette PIERRE JULES MICHOT -French Tenor 1832-1896 In 1856 he made his debut at the Théâtre-Lyrique in the opera “Richard Coeur-de- Lion” by Grétry. In 1859 he sang at the première of “La fée Carabosse” by Victor Massé and he created the rôle of Scopas in Reyer’s “Erostrate” (1862). From 1859-1865 he was engaged by the Grand-Opéra Paris, but then returned to the Théâtre-Lyrique. Here he created in 1867 the rôle of Roméo in Gounod's "Roméo et Juliette" with Marie Caroline Miolan Carvalho as Juliette. His career did not last long because his last (guest)performance was in 1868 at the Marseille Opera in Verdi’s “Vêpres Siciliennes”.