Gudrun's photos with the keyword: High Key

MM: Dessert/ Nachtisch

CMT3 COPYCAT: inspired by Gillian's www.ipernity.com/doc/gillianeverett/51205536 My paper plane is a bit slipshod, that's why I kept part of it out of the shot;-) An alternative copycat shot in the note, inspired by Jan's "Eating the props again": www.ipernity.com/doc/janano/51204618

CMT1: Favourites The original TSC (feathers) photo is in the note. Rework consisted of lightening midtones to make it more high key.

SSC: Anything glass in B&W I used a light tent with white background and overexposed by 2,3 stops, alternative take in the note

SH33: Symmetry Salt and Pepper Shakers

SSC: minimalism using one item for your subject alternative photo in clickable note

SSC: High key An autumn leaf sellotaped to a translucent lamp shade. 2 stops overexposed, cropped square and turned 180°

SSC: "One" Alternative take below. Both photos are with aperture wide open and 2-3 stops overexposed The third (clickable) photo was taken last Saturday, probably after the new theme was announced but before I knew about it, so I guess it's not admissable.

A snowy HFF to all!

Feathers of James's flamingo. Photographed on a sheet of white paper on front of a window and given the high key treatment. The inset clickable photo shows where I picked up the feathers years ago. Reworked photo to make it truly high key:

MM 2.0: Porzellan Ich habe nichts Neues, daher ein Oldie:-) The Sunday Challenge (SSC): white on white White coffee cup on white cloth in front ot a white wall, deliberately overexposed by 3 stops. Inset white porcelain spoon in a sugar jar.

Macro Mondays 2.0: Vertrocknete Pflanzenteile Die städtischen Bäume werfen wegen Pilzbefall und Hitzestress bereits jetzt die ersten Blätter ab, hier ein Ahornblatt. Im PiP ein weiteres Ahorn- und ein Eichenblatt

Macro Mondays 2.0: High Key The main photo is an in-camera high key with a deliberate 1 stop overexposure to keep the white from turning grey and only the standard adjustments in post processing, the PiPs are exposed normally and given the high key treatment in Color Efex Pro. All photos developed from RAW. Das Hauptfoto ist absichtlicht um 1 Blende überbelichtet, damit das Weiß nicht grau wird, und nur standardmäßig leicht nachbearbeitet, die beiden PiPs sind normal belichtet und in Color Efex Pro mit dem High Key Filter bearbeitet. Alle Fotos sind aus RAW entwickelt.