The Limbo Connection's photos with the keyword: headstones
Shaded and Embraced and Loved
Chinon Lens on Fuji Camera
06 Oct 2020 |
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This was photographed using a Tomioka-made Chinon 55mm f/1.4 lens (circa 1976) on a Fujifilm X-E1 camera (circa 2013) via an M42-Fuji X adapter.
Focussing has not proved to be as easy as I had expected but that is more a problem of diminishing eyesight than a criticism of the Fuji engineers. This photograph had the odds set in my favour with the aperture closed down. The 55mm Chinon is my favourite old legacy lens but I shall try out a Helios-44 and a Carl Zeiss Tessar, as well as the bubble bokeh specialist Fujinon 55mm f/2.2 in due course.
Edington Churchyard B&W
Edington Churchyard
Locksbrook No.17
28 Oct 2019 |
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Nikon D40 and AF-S DX Nikkor 18-200mm f/3.5-5.6G ED VRII lens. Focal length 150mm (full frame equivalent 225mm). 400 ISO; f/5.6; 1/160th.
Gothic and oval headstones side by side.
Areas of this cemetery are deliberately left uncut to allow small rodents to breed. Resident owls feed on them.
Dead Drunk
Cloudy Sky Over St. Giles's Churchyard
13 Jun 2019 |
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Pressing 'z' improves the experience of seeing how a shaft of sunlight picks out detail.
Nikon D2Xs at 100 ISO. Tamron 35mm f/1.8 lens at f/8. 1/160th.
Headstones
26 Apr 2019 |
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Canon EOS 30D + Canon EF 35-105mm f/3.5-4.5 lens. Aperture-priority set to f/11. ISO 400. 1/125th, Lens at 86mm equivalent to a field of view of 138mm in full frame. Converted to B&W.
In Repose
Headstones
22 Sep 2015 |
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Nikon D2Xs with a Nikkor 200mm f/4 AI-S lens on a Nikon Teleconverter TC-16A. This combination delivers a focal length of 320mm, translating to a field of view equivalent to 480mm on a full frame SLR camera.
The Churchyard
18 Sep 2015 |
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September, 2015: Viewed from a country churchyard.
Nikon D2Xs + Nikkor 200mm f/4 AI-S lens + Nikon TC-16A teleconverter.
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