The Limbo Connection's photos with the keyword: Nikkor-S Auto 35mm f/2.8

More domesticity photographed with a Fujifilm FinePix S3 Pro and a Nikkor-S Auto 35mm f/2.8 lens dating from around 1971.

Watercolour pencils superimposed on a photograph by Sebastian Milito 'Prism and Spectrum' made in 1970. Photographed with a Nikon Nikkor-S Auto 35mm f/2.8 lens mounted on a TelePlus MC7 2X Tele-Macro Converter on a Canon EOS 30D camera.

Photographed with a Nikon Nikkor-S Auto 35mm f/2.8 lens mounted on a TelePlus MC7 2X Tele-Macro Converter on a Canon EOS 30D camera.

Photographed with a Nikon Nikkor-S Auto 35mm f/2.8 lens mounted on a TelePlus MC7 2X Tele-Macro Converter on a Canon EOS 30D camera.

Photographed with a Nikon Nikkor-S Auto 35mm f/2.8 lens mounted on a TelePlus MC7 2X Tele-Macro Converter on a Canon EOS 30D camera.

All I will say about sheepsh1t is that I have smelt much worse. It is amazing what a ruminant's digestive system does to grass, but Avebury stone circle is a bit over-populated with sheep at times. Photographed with a Nikon Nikkor-S Auto 35mm f/2.8 lens mounted on a TelePlus MC7 2X Tele-Macro Converter on a Canon EOS 30D camera.

Photographed with a Nikon Nikkor-S Auto 35mm f/2.8 lens mounted on a TelePlus MC7 2X Tele-Macro Converter on a Canon EOS 30D camera.

Watercolour pencils superimposed on a photograph by Sebastian Milito 'Prism and Spectrum' made in 1970. Photographed with a Nikon Nikkor-S Auto 35mm f/2.8 lens mounted on a TelePlus MC7 2X Tele-Macro Converter on a Canon EOS 30D camera.

A vintage Nikkor-S Auto 35mm f/2.8 lens photographed using a Canon EOS 30D camera with an old M42-era Carl Zeiss Jena Tessar 50mm f/2.8 lens. In the background is a photograph by Evelyn Hofer of the artist Kiki Kogelnick in her studio.

Canon EOS 30D + Nikkor-S Auto 35mm f/2.8 lens

Chapter VI of 'The House In Tuesday Market' by J.S. Fletcher; Herbert Jenkins Limited, 1930.