The Limbo Connection's photos with the keyword: drip

Draining board photographed using a Nikon D2Xs and a Nikkor 28mm f/2 AI lens. On the D2Xs the field-of-view is equivalent to a 42mm lens on full-frame camera, so it obviously loses its wide-angle character on an APS-C DSLR. Interviewed for ‘Camera & Darkroom’ magazine during the 1980s, Sally Mann (https://en.wikipedia.org/wiki/Sally_Mann) said she had supported her artwork by doing lots of small freelance jobs. For this work she often used a 40mm Zuiko lens on a 35mm camera. She felt that 40mm was "about right." Mike Johnston comments on the 40mm focal length in 'The Online Photographer' theonlinephotographer.typepad.com/the_online_photographer/why-40mm.html For photographers who find 35mm generally too wide, and 50mm a bit too tight, 42mm could be the answer. Of course this presupposes you have never heard of a zoom lens. These devices are a boon to photographers who like to root themselves to one spot and twizzle a zoom ring to frame. Put another way, if you have to move yourself around a bit and change your perspective, the chances are that you will get a picture you would not otherwise get. But with kitchen sinks as your subject, it might not work as well as prime lens devotees often claim.

The 'ROYAL MAIL' legend first appeared on letter boxes in the early 1990s; prior to this letter boxes had the words 'POST OFFICE' cast onto them. The change was prompted by the separation of Post Office Counters Limited and Royal Mail as independent companies. Nikon D3s + Nikkor 50mm f/1.4 AF-D lens.