The Limbo Connection's photos with the keyword: Victorian

And sometimes thro' the mirror blue The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott. Nikon D2Xs + Nikkor 50mm f/1.4 AI-S lens. Processed in Lightroom. A Limbo Lockdown Production™.

Photographed with a 24mm Nikkor f/2.8 AF on a Nikon D2Xs, a crop sensor camera where 24mm equates to something like 35mm on full frame. 1/125th at f/4; 400 ISO. I think the red berries are from a rowan tree.

Another helping of Victorian pornography, made with a Nikon D2Xs with a 28mm Nikkor f/2 AI lens. Interviewed for ‘Camera & Darkroom’ magazine during the 1980s, Sally Mann (https://en.wikipedia.org/wiki/Sally_Mann) said she had supported her artwork by doing lots of small freelance jobs. For this work she often used a 40mm Zuiko lens on a 35mm camera. She felt that 40mm was "about right." The field of view provided by a 28mm lens on a crop sensor camera is very close to 40mm. Therefore it might suit photographers who felt that, for their purposes, 50mm was a bit too long and 35mm was a bit too wide.

A Victorian railway station, built to last. Attractive, in a utilitarian way. Yet like so many things in Declining Britain, it presents an air of defeat and neglect. Nikon D50 + AF Zoom-Nikkor 28-80mm f/3.3-5.6G lens.

Fujifilm FinePix S3 Pro + Nikon DX AF-S Nikkor 18-70mm f/3.5-4.5G ED lens at 31mm. 1/500th; f/11; 800 ISO.