The Limbo Connection's photos with the keyword: furniture

Ex-Civil Service, George V. Nikon D2Xs and Micro-Nikkor 55mm f/3.5 AI lens.

Photographed using a Canon EOS 30D digital camera (circa 2006) with a Chinon 55mm f/1.4 lens (circa 1976). This photograph shot at 800 ISO.

Offcuts of fabric stacked on a dining room chair. Photographed in available light using a Nikon D2Xs with a Nikkor AF-S DX 18-200mm lens. 95mm; 400 ISO; f/7.6; 1/250th.

A tentative excursion into neo-psychedelic. Tamron SP 35mm f/1.8 lens on a Nikon D3s.

Photographed in available light using a Tamron SP 35mm F1.8 lens on a Nikon D3s. 5600 ISO; f/5.6; 1/125th.

Nikon D3s + Nikkor 85mm f/1.8 AF-D lens. 100 ISO; f/1.8; 1/250th. Processed in Lightroom. A Limbo Lockdown Production™.

And sometimes thro' the mirror blue The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott. Nikon D2Xs + Nikkor 50mm f/1.4 AI-S lens. Processed in Lightroom. A Limbo Lockdown Production™.

'Developers have coordinated and submitted a planning application proposing a scheme of part conversion, demolition and new build for 30 No. apartments, which overlook the Town Park. The proposals also include storage and landscaping works.' Canon EOS 30D + Carl Zeiss Jena Tessar 50mm f/2.8 lens.

Another helping of Victorian pornography, made with a Nikon D2Xs with a 28mm Nikkor f/2 AI lens. Interviewed for ‘Camera & Darkroom’ magazine during the 1980s, Sally Mann (https://en.wikipedia.org/wiki/Sally_Mann) said she had supported her artwork by doing lots of small freelance jobs. For this work she often used a 40mm Zuiko lens on a 35mm camera. She felt that 40mm was "about right." The field of view provided by a 28mm lens on a crop sensor camera is very close to 40mm. Therefore it might suit photographers who felt that, for their purposes, 50mm was a bit too long and 35mm was a bit too wide.

Nikon D2Xs and Tamron Di II SP AF 17-50mm f/2.8 XR LD Aspherical lens.

Nikon D50 and 35mm f/1.8 lens.