The Limbo Connection's photos with the keyword: Church

1 The Lord is my shepherd; I shall not want. 2 He maketh me to lie down in green pastures: he leadeth me beside the still waters. 3 He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake. 4 Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me. 5 Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. 6 Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord for ever. Nikon D700 + Nikkor 20mm f/3.5 AI-S lens.

Canon EOS 30D and Soligor C/D Wide-Auto f/2.8 28mm lens.

Canon EOS 30D and Canon EF-S18-55mm f/3.5-5.6 lens.

Canon EOS 30D and Canon EF-S18-55mm f/3.5-5.6 lens.

Canon EOS 30D and Soligor C/D Wide-Auto f/2.8 28mm lens.

Canon EOS 30D and Chinon 55mm f/1.7 lens.

Canon EOS 30D and Canon EF-S18-55mm f/3.5-5.6 lens.

The Church of England parish church of Saint Mary the Virgin was started in 1092 but was not completed for another 200 years. Beneath the church are the massive remains of a Saxon church begun in AD 905. It was heavily restored 1853-5 by T.H. Wyatt. I used a Sigma 15-30mm F3.5-4.5 EX DG Aspherical DF lens set at 25mm on a Nikon D2Xs.

I used a Sigma 15-30mm F3.5-4.5 EX DG Aspherical DF as wide as it would go on a Nikon D2Xs camera. That lens is also compatible with full frame and 35mm film cameras, making it a true wide angle asset. The lens has two weaknesses: first, it will flare if the sun is anywhere in the picture, and secondly, it is a big heavy optic to lug around when a 17-50mm will probably get the picture anyway (using APS-C format cameras). Moreover, a 17-50mm lens has the extra range that I always seemed to run out of when the Sigma was fitted.

Nikon D2Xs and 35mm f/1.8 lens.

Nikon D2Xs and 35mm f/1.8 lens.