The Limbo Connection's photos with the keyword: waste

Draining board photographed using a Nikon D2Xs and a Nikkor 28mm f/2 AI lens. On the D2Xs the field-of-view is equivalent to a 42mm lens on full-frame camera, so it obviously loses its wide-angle character on an APS-C DSLR. Interviewed for ‘Camera & Darkroom’ magazine during the 1980s, Sally Mann (https://en.wikipedia.org/wiki/Sally_Mann) said she had supported her artwork by doing lots of small freelance jobs. For this work she often used a 40mm Zuiko lens on a 35mm camera. She felt that 40mm was "about right." Mike Johnston comments on the 40mm focal length in 'The Online Photographer' theonlinephotographer.typepad.com/the_online_photographer/why-40mm.html For photographers who find 35mm generally too wide, and 50mm a bit too tight, 42mm could be the answer. Of course this presupposes you have never heard of a zoom lens. These devices are a boon to photographers who like to root themselves to one spot and twizzle a zoom ring to frame. Put another way, if you have to move yourself around a bit and change your perspective, the chances are that you will get a picture you would not otherwise get. But with kitchen sinks as your subject, it might not work as well as prime lens devotees often claim.

Canon EOS 30D and EF 35-135mm f/4-5.6 USM lens.

Nikon D700 + Tamron AF 70-210mm f/2.8 SP LD lens made sometime between 1992 and 2003. ISO 3200; f/5.6; 1/125; focal length 160mm.