The Limbo Connection's photos with the keyword: thatched cottage

Photographed with a Tamron AF 70-210mm f/2.8 SP LD lens on a Nikon D700. This lens was in production from 1992 to 2003. Aperture priority; 800 ISO; f/11; 1/250th; lens at 100mm.

Nikon D2Xs + 28mm Nikkor f/3.5 AI lens. Interviewed for ‘Camera & Darkroom’ magazine during the 1980s, Sally Mann (https://en.wikipedia.org/wiki/Sally_Mann) said she had supported her artwork by doing lots of small freelance jobs. For this work she often used a 40mm Zuiko lens on a 35mm camera. She felt that 40mm was "about right." The field of view provided by a 28mm lens on a crop sensor camera is very close to 40mm. Therefore it might suit photographers who felt that, for their purposes, 50mm was a bit too long and 35mm was a bit too wide.

I love chocolates.

The Nikkor 28mm f/3.5 AI lens provides a field of view of 42 mm on a Nikon DX SLR. All the characteristics of a wide angle lens, such as plenty of depth-of-field, are nevertheless preserved. The f/3.5 maximum aperture is a bit slow but on the plus side performance is good even wide open and impressive when stopped down. The advantage of using it on a crop sensor is that you are experiencing only the centre performance and not much of the fuzzy edges. It's interesting and fun to use a lens which for all practical purposes behaves like something between 35mm and 50mm lenses on a full frame camera. Nikon D2Xs + Nikkor 28mm f/3.5 AI lens.