The Limbo Connection's photos with the keyword: bedroom

Going Back

Going Back

The Limbo Connection
25 Oct 2020 91
Camera: Fujifilm X-E1. Lens: Fujinon 35mm f/1.4 XF R.
A Photographer In Bed

A Photographer In Bed

The Limbo Connection
25 Oct 2020 2 1 110
Camera: Fujifilm X-E1. Lens: Fujinon 35mm f/1.4 XF R.
On a Bedroom Chair

On a Bedroom Chair

The Limbo Connection
03 Oct 2020 3 141
Lens: Cosina Cosinon 135mm f/2.8. M42 mount, This photographer identifies it as better on digital than on film by some margin, and speculates why that might be: 35hunter.blog/2017/02/11/with-eyes-reborn It cost me £10 on eBay. The adapter was twice that! Camera: Fujifilm X-E1.
Kicked Off

Kicked Off

The Limbo Connection
19 May 2020 3 158
Photographed in available light using a Tamron SP 35mm F1.8 lens on a Nikon D3s
Handle vs. Blue Curtains

Handle vs. Blue Curtains

The Limbo Connection
11 May 2020 8 2 144
Nikon D3s + Nikkor 85mm f/1.8 AF-D lens. 100 ISO; f/1.8; 1/250th. Processed in Lightroom. A Limbo Lockdown Production™.
Meanwhile, On a Chair

Meanwhile, On a Chair

The Limbo Connection
08 May 2020 3 126
Nikon D2Xs + Nikkor AF-S DX 18-200mm f/3.5-5.6G ED VRII lens. A Limbo Lockdown Production™.
A Knob, Being Acquainted with a Chest of Drawers

A Knob, Being Acquainted with a Chest of Drawers

The Limbo Connection
06 May 2019 2 135
Another helping of Victorian pornography, made with a Nikon D2Xs with a 28mm Nikkor f/2 AI lens. Interviewed for ‘Camera & Darkroom’ magazine during the 1980s, Sally Mann (https://en.wikipedia.org/wiki/Sally_Mann) said she had supported her artwork by doing lots of small freelance jobs. For this work she often used a 40mm Zuiko lens on a 35mm camera. She felt that 40mm was "about right." The field of view provided by a 28mm lens on a crop sensor camera is very close to 40mm. Therefore it might suit photographers who felt that, for their purposes, 50mm was a bit too long and 35mm was a bit too wide.