The Limbo Connection's photos with the keyword: broken

Focal length 80mm; f/5.6;1/125th; ISO 900.

Lens: AF Nikkor 85mm f/1.8D. If I were limited to a single lens, this would probably be it.

Alas! Sightless and fractured. But still beautiful. Nikon D40 + Nikkor AF-S 18-70mm lens.

Wow! Brick wall and fence, in a Diminishing Perspective sandwich: a Sovereign Remedy for Tired Eyes. Or not, as the case may be. Nikon D2Xs with a Nikkor 28mm f/2 AI lens, made circa 1981, and said by Bjørn Rørslett to be excellent for DX, FX, and on film. Rørslett commented that the lens offers outstandingly sharp images and these are produced at all aperture settings from f/2 to f/8. Rørslett found it unusually resistant to flare and ghosting and eminently suitable for shooting directly into the sun.

Near the secondary (Combe Park) entrance. The new arrangement of broken kerbs makes this grave appear a bit Greek in character. It is entirely in keeping with the general extravagance and flamboyance of this cemetery. Nikon D40 and AF-S DX Nikkor 18-200mm f/3.5-5.6G ED VRII lens. Focal length 20mm (full frame equivalent 30mm). 400 ISO; f/5; 1/40th. Whilst lacking the clarity of a prime lens, the 18-200mm Nikkor performs strongly and is a pleasure to use. Distortion can be noticeable but is easily corrected when processing. The Vibration Reduction system is spectacular - low shutter speeds hold no fear when using this lens. The Nikon D40, manufactured between 2006 and 2009 and long superseded by several new models, is a joy to use and particularly to carry. It weighs practically nothing. With fewer than 600 shutter actuations, it cost me less than £60 earlier this year. It lacks the latest bells and whistles but does the main job of making images very competently. I set it to under-expose a little; it seems to produce better results that way.