The Limbo Connection's photos with the keyword: preserved railway

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Tokina SD 50-135mm f/2.8 DX AT-X Pro lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Tokina SD 50-135mm f/2.8 DX AT-X Pro lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Nikon D2Xs and Tamron Di II SP AF 17-50mm f/2.8 XR LD Aspherical (IF) lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Nikon DX AF-S Nikkor 35mm f/1.8G lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Nikon DX AF-S Nikkor 35mm f/1.8G lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Nikon D2Xs and Tamron Di II SP AF 17-50mm f/2.8 XR LD Aspherical (IF) lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Nikon DX AF-S Nikkor 35mm f/1.8G lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Nikon DX AF-S Nikkor 35mm f/1.8G lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Nikon DX AF-S Nikkor 35mm f/1.8G lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Nikon DX AF-S Nikkor 35mm f/1.8G lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Nikon DX AF-S Nikkor 35mm f/1.8G lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Tokina SD 50-135mm f/2.8 DX AT-X Pro lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Tokina SD 50-135mm f/2.8 DX AT-X Pro lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Fujifilm FinePix S3 Pro and Tokina SD 50-135mm f/2.8 DX AT-X Pro lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Nikon D2Xs and Tamron Di II SP AF 17-50mm f/2.8 XR LD Aspherical (IF) lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Nikon D2Xs and Tamron Di II SP AF 17-50mm f/2.8 XR LD Aspherical (IF) lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Nikon D2Xs and Tamron Di II SP AF 17-50mm f/2.8 XR LD Aspherical (IF) lens.

I visited the East Somerset Railway near Cranmore in Somerset on 1st July, a hot day such as Edward Thomas immortalised in 'Adlestrop'. I reflected on what enables preserved railways such as this to thrive. Enthusiasm, of course - of volunteers and visitors alike. And the availability of locomotives and rolling stock, thanks to Dai Woodham at Barry not being in a rush to break up the scrapped BR locomotives. But - paradoxically perhaps - it is the motor car which makes preserved steam possible, for it often operates in the back of beyond, and is accessible only by private transport for all practical purposes. Nikon D2Xs and Tamron Di II SP AF 17-50mm f/2.8 XR LD Aspherical (IF) lens.