The Limbo Connection's photos with the keyword: Victoria Road

The 'ROYAL MAIL' legend first appeared on letter boxes in the early 1990s; prior to this letter boxes had the words 'POST OFFICE' cast onto them. The change was prompted by the separation of Post Office Counters Limited and Royal Mail as independent companies. Camera: Fujifilm X-E1. Lens: Fujinon 35mm f/1.4 XF R.

The 'ROYAL MAIL' legend first appeared on letter boxes in the early 1990s; prior to this letter boxes had the words 'POST OFFICE' cast onto them. The change was prompted by the separation of Post Office Counters Limited and Royal Mail as independent companies. Nikon D3s + Nikkor 50mm f/1.4 AF-D lens.

Photographed exactly as found on a street footpath.

I have made an attractive old stone wall appear sinister. Fujinon 35mm f/1.4 lens, giving a field of view akin to a 50mm lens on a full frame instrument. Camera: Fujifilm X-E1

Camera: Fujifilm X-E1. Lens: Fujinon 35mm f/1.4 XF R.

Fujifilm X-E1 and Fujinon 35mm f/1.4 XF R lens at f/1.6.

Nikon D2Xs + Teleconverter TC-16A + Nikkor 50mm f/1.4 AI-S lens.

Nikon D40 + AF-S Nikkor 18-70mm f/3.5 - 4.5 G DX lens.

Nikon D2Xs with a Nikkor 28mm f/2 AI lens, made circa 1981, and said by Bjørn Rørslett to be excellent for DX, FX, and on film. Rørslett commented that the lens offers outstandingly sharp images and these are produced at all aperture settings from f/2 to f/8. Rørslett found it unusually resistant to flare and ghosting and eminently suitable for shooting directly into the sun. ISO 100; f/3.3; 1/80th.

Nikon D2Xs with a Nikkor 28mm f/2 AI lens, made circa 1981, and said by Bjørn Rørslett to be excellent for DX, FX, and on film. Rørslett commented that the lens offers outstandingly sharp images and these are produced at all aperture settings from f/2 to f/8. Rørslett found it unusually resistant to flare and ghosting and eminently suitable for shooting directly into the sun. That stone wall was acting like a big reflector though. ISO 100; f/8; 1/100th.

Wow! Brick wall and fence, in a Diminishing Perspective sandwich: a Sovereign Remedy for Tired Eyes. Or not, as the case may be. Nikon D2Xs with a Nikkor 28mm f/2 AI lens, made circa 1981, and said by Bjørn Rørslett to be excellent for DX, FX, and on film. Rørslett commented that the lens offers outstandingly sharp images and these are produced at all aperture settings from f/2 to f/8. Rørslett found it unusually resistant to flare and ghosting and eminently suitable for shooting directly into the sun.

Nikon D2Xs with a Nikkor 28mm f/2 AI lens, made circa 1981, and said by Bjørn Rørslett to be excellent for DX, FX, and on film. Rørslett commented that the lens offers outstandingly sharp images and these are produced at all aperture settings from f/2 to f/8. Rørslett found it unusually resistant to flare and ghosting and eminently suitable for shooting directly into the sun.

Nikon D2Xs with a Nikkor 28mm f/2 AI lens, made circa 1981, and said by Bjørn Rørslett to be excellent for DX, FX, and on film. Rørslett commented that the lens offers outstandingly sharp images and these are produced at all aperture settings from f/2 to f/8. Rørslett found it unusually resistant to flare and ghosting and eminently suitable for shooting directly into the sun.