Dinesh's photos with the keyword: Billy Collins

Why do we bother with the rest of the day, the swale of the afternoon, the sudden dip into evening, then night with his notorious perfumes, his many-pointed stars? This is the best— throwing off the light covers, feet on the cold floor, and buzzing around the house on espresso— maybe a splash of water on the face, a palmful of vitamins— but mostly buzzing around the house on espresso, dictionary and atlas open on the rug, the typewriter waiting for the key of the head, a cello on the radio, and, if necessary, the windows— trees fifty, a hundred years old out there, heavy clouds on the way and the lawn steaming like a horse in the early morning. Billy Collins

I turn around on the gravel and go back to the house for a book, something to read at the doctor’s office, and while I am inside, running the finger of inquisition along a shelf, another me that did not bother to go back to the house for a book heads out on his own, rolls down the driveway, and swings left toward town, a ghost in his ghost car, another knot in the string of time, a good three minutes ahead of me— a spacing that will now continue for the rest of my life. Sometimes I think I see him a few people in front of me on a line or getting up from a table to leave the restaurant just before I do, slipping into his coat on the way out the door. But there is no catching him, no way to slow him down and put us back in synch, unless one day he decides to go back to the house for something, but I cannot imagine for the life of me what that might be. He is out there always before me, blazing my trail, invisible scout, hound that pulls me along, shade I am doomed to follow, my perfect double, only bumped an inch into the future, and not nearly as well-versed as I in the love poems of Ovid— I who went back to the house that fateful winter morning and got the book. Billy Collins

There’s a possum who appears here at odd times, often walking up the path to the house in the middle of the day like a little ghost with a long tail and a blank expression on his face. He likes to slip behind the woodpile, but sometimes he gets so close to the window where I am standing with a glass in my hand that I start to review my sins, systematically going from one commandment to the next. What is it about him that causes me to begin an examination of conscience, calling to mind my failings in this time of reflection? It could just be the twitching of the tail and that white face, but his slow priestly pace also makes a contribution, as do the tiny paws, more like hands, really, with opposable thumbs able to carry a nut or dig a hole in the earth or lift a chalice above his head or even deliver a document, I am thinking as he nears the back door, not merely a subpoena but an order of excommunication with my name and a date written in fine Italian ink and signed with a flourish of the papal sash. ~ Billy Collins

What do you think of my new glasses I asked as I stood under a shade tree before the joined grave of my parents, and what followed was a long silence that descended on the rows of the dead and on the fields and the woods beyond, one of the one hundred kinds of silence according to the Chinese belief, each one distinct from the others, but the differences being so faint that only a few special monks were able to tell one from another. They make you look very scholarly, I heard my mother say once I lay down on the ground and pressed an ear into the soft grass. Then I rolled over and pressed my other ear to the ground, Click here to find out more! the ear my father likes to speak into, but he would say nothing, and I could not find a silence among the one hundred Chinese silences that would fit the one that he created even though I was the one who had just made up the business of the one hundred Chinese silences— the Silence of the Night Boat, and the Silence of the Lotus, cousin to the Silence of the Temple Bell only deeper and softer, like petals, at its farthest edges. ~ Billy Collins

I have never been fishing on the Susquehanna or on any river for that matter to be perfectly honest. Not in July or any month have I had the pleasure--if it is a pleasure-- of fishing on the Susquehanna. I am more likely to be found in a quiet room like this one-- a painting of a woman on the wall, a bowl of tangerines on the table-- trying to manufacture the sensation of fishing on the Susquehanna. There is little doubt that others have been fishing on the Susquehanna, rowing upstream in a wooden boat, sliding the oars under the water then raising them to drip in the light. But the nearest I have ever come to fishing on the Susquehanna was one afternoon in a museum in Philadelphia when I balanced a little egg of time in front of a painting in which that river curled around a bend under a blue cloud-ruffled sky, dense trees along the banks, and a fellow with a red bandanna sitting in a small, green flat-bottom boat holding the thin whip of a pole. That is something I am unlikely ever to do, I remember saying to myself and the person next to me. Then I blinked and moved on to other American scenes of haystacks, water whitening over rocks, even one of a brown hare who seemed so wired with alertness I imagined him springing right out of the frame. "Fishing on Susquehanna in July" ~ Billy Collins

The neighbors' dog will not stop barking. He is barking the same high, rhythmic bark that he barks every time they leave the house. They must switch him on on their way out. The neighbors' dog will not stop barking. I close all the windows in the house and put on a Beethoven symphony full blast but I can still hear him muffled under the music, barking, barking, barking, and now I can see him sitting in the orchestra, his head raised confidently as if Beethoven had included a part for barking dog. When the record finally ends he is still barking, sitting there in the oboe section barking, his eyes fixed on the conductor who is entreating him with his baton while the other musicians listen in respectful silence to the famous barking dog solo, that endless coda that first established Beethoven as an innovative genius. ~ Billy Collins

Today we woke up to a revolution of snow, its white flag waving over everything, the landscape vanished, not a single mouse to punctuate the blankness, and beyond these windows the government buildings smothered, schools and libraries buried, the post office lost under the noiseless drift, the paths of trains softly blocked, the world fallen under this falling. In a while, I will put on some boots and step out like someone walking in water, and the dog will porpoise through the drifts, and I will shake a laden branch sending a cold shower down on us both. But for now I am a willing prisoner in this house, a sympathizer with the anarchic cause of snow. I will make a pot of tea and listen to the plastic radio on the counter, as glad as anyone to hear the news that the Kiddie Corner School is closed, the Ding-Dong School, closed. the All Aboard Children’s School, closed, the Hi-Ho Nursery School, closed, along with—some will be delighted to hear— the Toadstool School, the Little School, Little Sparrows Nursery School, Little Stars Pre-School, Peas-and-Carrots Day School the Tom Thumb Child Center, all closed, and—clap your hands—the Peanuts Play School. So this is where the children hide all day, These are the nests where they letter and draw, where they put on their bright miniature jackets, all darting and climbing and sliding, all but the few girls whispering by the fence. And now I am listening hard in the grandiose silence of the snow, trying to hear what those three girls are plotting, what riot is afoot, which small queen is about to be brought down ~ Billy Collins Image through the driver side glass, while driving

I turn around on the gravel and go back to the house for a book, something to read at the doctor's office, and while I am inside, running the finger of inquisition along a shelf, another me that did not bother to go back to the house for a book heads out on his own, rolls down the driveway, and swings left toward town, a ghost in his ghost car, another knot in the string of time, a good three minutes ahead of me — a spacing that will now continue for the rest of my life. Sometimes I think I see him a few people in front of me on a line or getting up from a table to leave the restaurant just before I do, slipping into his coat on the way out the door. But there is no catching him, no way to slow him down and put us back in synch, unless one day he decides to go back to the house for something, but I cannot imagine for the life of me what that might be. He is out there always before me, blazing my trail, invisible scout, hound that pulls me along, shade I am doomed to follow, my perfect double, only bumped an inch into the future, and not nearly as well-versed as I in the love poems of Ovid — I who went back to the house that fateful winter morning and got the book. ~ Billy Collins