Mikeinlagardette's photos with the keyword: folder

1950's Ensign Selfix 16-20, Model II. A very nice 6x4.5 folder, and made in England ! This version has an f4.5/75mm Ross Xpres lens - a Tessar clone, and a folding Albada viewfinder. Takes 16 frames on 120 (or 620!) film. High quality of construction and finish, but spoilt by having no accessory shoe for a rangefinder, and the front cannot be closed with a filter mounted - how stupid !! There were other versions of this camera, with triplet lens and conventional viewfinder, and also a version with a coupled rangefinder, but these last are rare, and thus quite expensive. Ensign was the trademark of a wide range of cameras made by the Houghton Butcher company in London, one of the earliest camera makers in England, but despite several mergers in post war years, they finally ceased production in 1961. Canon Ixus 960is Camera-Wiki article: camera-wiki.org/wiki/Houghton_and_Ensign

It is strange that France, which played such an important role in the development of photography, should have produced so few notable makes of cameras - but on reflection, I suppose one could say exactly the same of the British! Almost all French made medium format folding cameras were 6x9, there were a few 6x4.5, but I can think of no 6x6 French folders, although I'm sure there must have been some! This is a 6x9, a Kinax Junior, made by Société Industrielle de Photographie et d'Optique, Paris & Montreuil sous Bois, I think, in 1953. Well made and well finished, this version shared the same body as the more highly specified models, but has only a modest f6.3/100mm triplet lens in a simple 4 speed shutter, 1/10th to 1/150th + B. It uses 620 film, which is why I have only ever taken a few rolls of film with it, and the lens has a strange 29mm diameter mount for push on filters and hood, so I had to machine up a little adapter ring to allow the more normal 32mm fittings to be used. The camera is like new, seems to have been hardly ever used, and now I have sorted converting 120 to 620 without re-spooling, I will put another roll through it, but the f6,3 is a bit limiting, as is the top speed of 1/150th, so I'm not optimistic - really, just a Shelf Queen! Mamiya RB67, 645 back, f3.5/65mm Mamiya Sekor lens. Foma 100 in divided D23, 7+5 mins stand @21C, scanned @1200dpi on Epson V500.

Church and State! Here is the church seen from the main street, and you can see the way that it is the most prominent building in this part of town. The tower was built at the beginning of the 15thC, as much for a fortification as for religious purposes, and indeed, for some time it served as a prison during the middle ages, as well as the base camp of the feudal lord and his entourage! The houses are much later, 18thC I guess, and the one nearest us actually has a pathway to the church running beneath the bedrooms, although there are the remains of what I think was an old bakery behind, so maybe it was the baker's house - who knows! 1948 Kodak Tourist 120, f4.5/105mm Anaston lens, x2 yellow filter. Foma 400 in Thornton's Two Bath, 6 mins stand in A & B @21C Scanned @ 1200dpi on Epson V500.

The church of Saint Sulpice was built in Romanesque style in the 12th century, but has since been extensively altered, most notably by the the fortification of the choir and eastern gable sometime in the 14thC, and the construction of the massive tower around 1400. Like most of these small villages and towns in the area, the church is the dominant building, but there are quite a few other interesting old buildings in the town. More play with stand developing two baths, this time with the Kodak Tourist for transport! 1948 Kodak Tourist 120, f4.5/105mm Anaston lens, x2 yellow filter. Foma 400 in Thornton's Two Bath, 6 mins stand in A & B @21C Scanned @ 1200dpi on Epson V500.