Mikeinlagardette's photos with the keyword: 620

Here's a pic of the old lady! Made from die-cast aluminium with plated brass fittings, this really was near the all time top of Kodak's medium format product range, perhaps only the Medalist, and the German made Regent, exceeded it. As well as the fresnel screen, it has automatic film spacing which works without fault, and the 80mm lenses are hard coated Anastons - not Tessar variants, but a Dialyt design of four equally spaced elements about a central diaphragm, and unusually, both the taking and viewing lenses are of identical construction. The shutter is a Flash Kodamatic with M & X options, 1/2 to 1/300th plus B&T, and the apertures are from f3.5 to f22, and are click-stopped. It is shown with a Kodak Series VI filter adapter, and a home made lens hood which does not mask the viewing lens. Just a shade lighter than a non-metered Rollieflex, it was designed to allow only the wretched 620 film size to be used, and no conversion to 120 is possible without drastic alteration, but I've recently made a simple set up to machine the diameters and end faces of 120 films in the lathe, making them externally the same as 620, and avoiding the need to re-wind the films on to 620 spools, so I might use it more now. Taken with a Canon Ixus 960is @ 80 iso equivalent.

Another outing for the old Kodak Reflex, this time with Foma 100 developed in Caffenol. We have had a fair bit of rain recently, and because the bedrock is quite near the surface and of impermeable granite, low lying fields quickly become water logged. 1948 Kodak Reflex II, f3.5/80mm Anaston lens, x2 yellow filter. Foma 100 in Caffenol 20-20-6-500. 10min @21C. Scanned @1200dpi on Epson V500

Another from the Tourist archives! Montluçon is considered to be "The Gateway to the Auvergne", although it is in the department of Allier - it is quite a classy place, so it is not a surprise to see high quality building here, but this is definitely in a league of it's own! I have no idea of the original purpose, - hotel, bank, insurance office, could be any of them, - nor when it was built, but what is certain is that it is one of the most accomplished examples of brickwork that I have seen! The diamond pattern is worked in a darker brick, and would be a challenge in a flat panel, but to have achieved this on the surface of a circular building, is indeed, a class act. Viewing the image at original size will show what I mean, and also demonstrate that the old Kodak is no slouch either! Taken with a 1948 Kodak Tourist 620, converted to 120 film. f4.5/105mm hard coated Kodak Anaston, X2 yellow filter, on Shanghai GP3 @200, developed in Thornton's Two Bath 5+5 mins @21C, and scanned @ 1200dpi on an Epson V500.

This former monastry building is well hidden, despite the fact that is quite close to the centre of the village. The Order of the Word Incarnate was founded by a priest who was born in Azerables, and the chapel was built in 1889, the work of a local architect, Léon Vallet. Following it's closure as a religious building in the 1960's, the main accomodation was turned into a retirement home, which has since moved to new premises, so these buildings were empty at the time this photo was taken, in 2011. 1948 Kodak Tourist 620, converted to 120, f4.5/105mm coated Anaston, X4 Orange filter. Rollei RPX 400 @ 1600, in Diafine 4 + 4 mins @ 21C. Scanned@1200dpi on Epson V500.

This impressive structure is on a long disused railway line which ran from Guéret to Le Chartre, and although the viaduct took three years to build, the line had a very short life, being opened to traffic in 1906, and finally closed to freight in 1952, although passenger trains ceased to run on this route in 1939. Viaducts were always challenging structures to build, and when built on a curve, as this one is, especially so. It is just over 200m long, built on a curve of 300m radius, and the sixteen arches carried the single line 20m above the River Creuse. Built entirely from granite, it is now part of a pleasant country walk. Taken with a 1948 Kodak Tourist converted to 120, on Shanghai GP3 film, developed in divided D23, 5+5mins@21C and scanned @1200dpi on Epson V500