Scott Holcomb's photos with the keyword: Hoya 55mm Y(K2) filter

Chinatown Los Angeles features ornate Chinese architecture. This photo was taken by a Minolta SRT102 film camera with a MC Rokkor-PF 1:1.7 f=50mm lens and Hoya 55mm Y(K2) filter using Adox CHS 100II 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

A statue dedicated to Bruce Lee. This photo was taken by a Minolta SRT102 film camera with a MC Minolta Celtic 1:2.8 f=28mm lens and Hoya 55mm Y(K2) filter using Adox CHS 100II 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Fine arts were on hold at this university during the pandemic lockdown. Empty benches were symbolic of the halt of in-person instruction on campus. This photo was taken by a Minolta SRT-102 film camera with a MC Rokkor-PF 1:1.7 f=50mm lens and Hoya 55mm Y(K2) filter using Astrum FN-64 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Two very tall royal palms overlook the grounds of Mission San Fernando Rey de España, one of twenty-one Franciscan missions established in the Spanish colonial territory of Alta California. On a hot summer day, a fountain trickles cool water into a shimmering pool. It is surrounded by a wrought iron fence to prevent over-heated photographers from taking a dip . . . This photo was taken by a Minolta SRT102 film camera with a MC Rokkor-PF 1:1.7 f=50mm lens and Hoya 55mm Y(K2) filter using Adox CHS 100II 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Walking through the silent forest, I hear only the rustling of the leaves in the breeze. This photo was taken by a Minolta SRT-102 film camera with a MC Minolta Celtic 1:2.8 f-28mm lens and Hoya 55mm Y(K2) filter using Astrum FN 64 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

With the outer world fenced out, Saint Mary’s Church of Nicasio stands on consecrated land, cleansed of sin and dedicated to God. This photo was taken by a Minolta SRT102 film camera and MC Minolta Celtic 1:2.8 f=28mm lens with a Hoya 55mm Y(K2) filter using Astrum FN-64 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.