Scott Holcomb's photos with the keyword: Fuji 160NS [220] film

It is, after all, the American Southwest . . . This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens with a Zenza Bronica 82mm L-1A filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

After paying a lavish compliment to this extraordinarily beautiful landscape, I have detected a blush! This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens with a Zenza Bronica 82mm L-1A filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

As the intense sun heats up the desert landscape, a shady retreat beneath a grove of cottonwoods affords some relief. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens with a Zenza Bronica 82mm L-1A filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The laceration is deep and the wound is severe! Healing will take ages . . . This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens with a Zenza Bronica 82mm L-1A filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

When I heard about a Magical Mountain located in the Paria Canyon, I expected an amusement park. Instead, I discovered a real fantasyland full of color and, yes, magic. Admission was free. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens with a Zenza Bronica 82mm L-1A filter using Fuji 160NS [220] film, the transparency scanned by an Epson Perfection V600 and digitally rendered with Photoshop

Foreboding skies darken the landscape with vivd tones of magenta as an approaching thunderstorm looms over Gingham Skirt Butte. Electricity is in the air as lightning dances across the sky. Thunder echoes menacingly through the canyons as storm clouds advance. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens with a Zenza Bronica 82mm L-1A filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

A new day breaks as the sun touches the upper reaches of Paria Canyon. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens with a Zenza Bronica 82mm L-1A filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

I have just returned from a momentous journey to a distant planet many lightyears away. I cannot divulge details about our secret mission other than to say that we did not discover life as we had hoped. During our brief stay we found ourselves surrounded by eroded hills with colorful layers under intense blue skies. Although we failed to discover alien life, plans are already being prepared to explore other distant exoplanets. My commander has permitted me to release this single photo to the public while a full report of our voyage of exploration is being prepared. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens with a Zenza Bronica 82mm L-1A filter using Fuji 160NS [220] film, the transparency scanned by an Epson Perfection V600 and digitally rendered with Photoshop

The events that have taken place during the past several years have been as abrupt as this sheer drop! This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

No longer can the strata hide below a mantle soil and trees. Any secrets that it holds have been laid bare by the forces of erosion. This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Vibrant colors revealed by erosion light up the collapsing slopes in a most spectacular display. This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Just a few more steps forward . . . This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The forces of nature are eating away at the foundation of this mountain. There will be Bloody Hell to pay !!! This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Just in time for the New Year, a delicious new rock candy offering from the Morrison Formation Confectionery Company of Escalante, Utah. Based on an old Jurassic recipe, this jaw breaker style sweet is certain to please any dentist specializing in crowns and implants. The folks from Morrison recommend their holiday selection, the Flavor of the Ages, picture here. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Macro-Takumar/6X7 1:4/135mm lens attached to a #1 extension tube (14mm) and Kowa L1A ø67 filter using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.