Scott Holcomb's photos with the keyword: Bergger Pancro400 film

Ships Crew parking along the fence. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:3.5/55 lens with an Asahi Pentax 6 X 7 100ø R60(R2) filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The elements have carved this canyon landscape from solid rock over a period of millions of years. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Zenza Bronica 67mm SO56•2C(YA3) filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

In this case, the cutting tool creating this sheer wall of rock is the Fremont River. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Zenza Bronica 67mm SO56•2C(YA3) filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

That which is uplifted will eventually be worn away! This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150 (ø67) lens and Zenza Bronica 67mm SO56•2C(YA3) filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Rai and Jiri at Lungha. Rai of Lowani. Lowani under two moons. Jiri of Umbaya. Umbaya of crossed roads. At Lungha. Lungha, her sky gray. Shaka. When the walls fell . . . Star Trek: The Next Generation - Season 5 Episode 2 This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Zenza Bronica 67mm SO56•2C(YA3) filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Deep in the canyon-country of southern Utah is a beautiful state park called Kodachrome Basin where there are 67 sandstone pillars from a few feet to 52 feet across, which stand vertically as high as 172 feet above the basin floor. Composition of the pillars consists of rounded pebbles, cobbles, carbonized wood, and wildly tilted meter-sized blocks of sedimentary rock, all floating in a matrix of well-cemented sandstone. The sandstone matrix matches in composition with a layer known to be buried 300 feet below the basin floor suggesting that these pillars were somehow suddenly injected upward. Eventually the sediment de-watered and turned to stone, but for whatever reason, the injected sand bodies or injectites hardened to a greater degree than their surrounding host-rock. Erosion later preferentially removed the softer host-rock, exposing as stony pillars or “pipes” what had once been conduits for the explosively injected sand slurries. Just how this process occurred is a mystery. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Zenza Bronica 67mm SY48•2C(Y2) filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Most people are familiar with icebergs. They are a hazard to maritime traffic and have caused dramatic catastrophes such as the sinking of the Titanic. Little notice has been paid to the terrestrial form, the rockberg. Generally, they are found in remote areas and when they calve off of a major canyon, they are not a great threat to towns and cities. This big rockberg may be an exception, however. It is enormous and is drifting across the plain at an astonishing speed, threatening any townships and villages in it’s path. I have alerted the USGS (United States Geological Survey) of it’s existence, course and speed. So far I have not heard back from them. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Zenza Bronica 67mm SY44•2C(Y1) filter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Somehow, a layer of buried sandy sediment was injected upwards into the rock crevasses above, later hardening into rock millennia ago. The softer rock eroded away, leaving the towering sandstone pillars standing hundreds of feet above the plain. Just how this process occurred is an unsolved problem. Geologists and theologians have competing theories involving hot geysers and the Genesis flood. As far as I am concerned, some of nature’s puzzles should be left to the imaginations of mystery fiction writers. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA HMC 82mm O[G] filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The final rays of sun light up the distant valley before nightfall. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated TAKUMAR/6X7 1:4/200 lens with a Zenza Bronica 67mm SY48•2C(Y2) filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

As soon as our horses refuel we will be on our way. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Well, it's all uphill from here . . . This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a Hoya HMC 82mm Y[K2] filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Raise your hand if you agree that there is too much fluff and not enough substance in the world. Come on . . . don't be shy . . . This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:3.5/55 lens with an Asahi Pentax 6 X 7 100ø Y48(Y2) filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.