Scott Holcomb's photos with the keyword: 82mm UV filter

Blackie was a swaybacked horse who, for twenty-eight years, was a well-known fixture in Tiburon, California. He not only stood in the same spot in a pasture at the corner of Tiburon Boulevard and Trestle Glen Road, rarely moving, day after day, but he faced in the same direction, becoming the local mascot of several generations. Born in Kansas, Blackie was brought to California to become a cutting horse at rodeos. After his rodeo career, he was sold to the Army and became a cavalry horse. He was retired when he was 12 years old. Rest in Peace, Blackie. This photo was taken by a Zenza Bronica S2 medium format film camera with a Nikkor-H 1:3.5 f=5 cm lens using Kodak Portra 400 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.

These vigilant ancients have watched over the forest throughout the centuries. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with an 82mm UV filter using Rollei CN200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Any fool can destroy trees. They cannot defend themselves or run away. And few destroyers of trees ever plant any, nor can planting avail much toward restoring our grand aboriginal giants. It took more than three thousand years to make some of the oldest of the sequoias, trees that are still standing in perfect strength and beauty, waving and singing in the mighty forests of the Sierra. Through all of the eventful centuries since Christ’s time, and long before that, God has cared for these trees, saved them from drought, disease, avalanches, and a thousand storms; but he cannot save them from sawmills and fools; this is left to the American people. - John Muir These photos were taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with an 82mm UV filter using Rollei CN200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

In the 1870’s, visitors to the South Grove named this tree after San Francisco’s, newly built, elegant seven story Palace Hotel. The large opening in the base of the tree reminded visitors of the central courtyard carriage entrance called the Grand Court. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with an 82mm UV filter using Rollei CN200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Straight and true. www.youtube.com/watch?v=Lq0fUa0vW_E I Walk The Line - Johnny Cash This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens and 82mm UV filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

In today's world green is the way! Natural - Organic - Biodegradable Get your green fence today!! This photo was taken by a Zenza Bronica S2 medium format him camera with a Nikkor-H 1:3.5 f=5 cm lens and 82mm UV filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The serene beauty of the vista of Panamint Valley far below from Father Crowley Overlook belies the the name of this park. This photo was taken with an Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Zion-Mount Carmel Highway, Zion National Park, Utah, Even the roads are reddish since the materials are quarried locally. This photo was taken with a Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Zion-Mount Carmel Highway, Zion National Park, Utah This photo was taken with a Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.