Scott Holcomb's photos with the keyword: Kodak Portra 160

We are all trying to claw back to a more normal time, leaving the pandemic behind us. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super Multi-Coated Takumar/6X7 1:4.5/75mm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

A beacon of light that guides mariners to safety. This photo was taken by a Zenza Bronica S2 medium format film camera with a NIKKOR-H 1:3.5 f=5cm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Your goose is cooked!, I shouted, as I chased these feathered intruders from the gazebo lawn. What good is a fence if trespassers can simply fly over it?! This cropped photo was taken by a Zenza Bronica S2 medium format film camera with a NIKKOR-H 1:3.5 f=5cm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Navigators are constantly searching for a safe passage through turbulent seas. This cropped photo was taken by a Zenza Bronica S2 medium format film camera with a Nikkor-H 1:3.5 f=5 cm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

May this beacon of light guide the countless souls ravaged by war and poverty through the maze of barriers that block their pathway to safety. This photo was taken by a Zenza Bronica S2 medium format film camera with a NIKKOR-H 1:3.5 f=5cm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Have a seat, The Gate Keeper will be right with you. This image was taken from a Zenza Bronica S2 medium format film camera with a Zenzanon 1:3.5 f=150mm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Aunt Polly won't let me out of the yard until I whitewash the fence. This image was taken with a Zenza Bronica S2 medium format camera with a NIKKOR-H 1:3.5 f=5cm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Times are turbulent at Asilomar State Beach. This cropped photo was taken by a Zenza Bronica S2 medium format film camera with a Nikkor-H 1:3.5 f=5 cm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

My pappy said, Son, you're gonna drive me to drinkin', if you don't stop drivin' that Hot Rod Lincoln !! www.youtube.com/watch?v=lbkb_SAjTz4 Commander Cody and His Lost Planet Airmen - Hot Rod Lincoln Please excuse my recent obsession with Commander Cody & His Lost Planet Airmen. I promise to get treatment soon for these '60s flashbacks . . . Well, maybe not . . . This is the all-time best-ever live version of Hot Rod Lincoln. This photo was taken by a Zenza Bronica S2 medium format film camera and NIKKOR-H 1:3.5 f=5cm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The treasures of Fantesca Vineyards are guarded by a well-maintained and fenced hillside path. This photo was shot from a Zenza Bronica S2 medium format film camera using Kodak Portra 160 film with a Nikkor-H 1:3.5 f=5 cm lens, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

As the hood ornament indicates, this '29 Model A is still Flying High. This image was shot from a Zenza Bronica S2 Medium Format camera with a NIKKOR-H 1:3.5 f=5cm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Our tour guide, Scott, guaranteed fair weather on our excursion. We demand a refund! This photo was taken by a Zenza Bronica S2 medium format film camera with a NIKKOR-H 1:3.5 f=5cm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

- A cute floret that must primp for hours each day in order to look so immaculate! This image was taken with a Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Macro-Takumar/6X7 1:4/135mm lens mounted on a Asahi Pentax 6X7 #1 Extension Tube using Kodak Portra 160 film, scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The first step in the making of Queso de Tuna is the blooming of the flower of the Prickly Pear (Nopal) . . . This image was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Macro-Takumar/6X7 1:4/135mm lens mounted on a Asahi Pentax 6X7 #1 Extension Tube using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

It has been suggested that this lake and the nearby town were named after a very clever Mexican who survived a plane crash. This image was shot from a Zenza Bronica S2 Medium Format camera with a NIKKOR-H 1:3.5 f=5cm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Delivering since 1931. This image was shot from a Zenza Bronica S2 Medium Format camera with a NIKKOR-H 1:3.5 f=5cm lens using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.