Scott Holcomb's photos with the keyword: Kodak T-MAX 400

If you're on the fence, you can't decide something. You're torn between two options. If you're standing at the ice cream counter, not sure if you should get chocolate or vanilla, you're on the fence. Being on the fence means you really just can't decide. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SY48•2C (Y2) filter using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

There must be some kind of way outta here Said the joker to the thief There's too much confusion I can't get no relief www.youtube.com/watch?v=TLV4_xaYynY All Along The Watchtower - The Jimi Hendrix Experience © Bob Dylan Music Co. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Film cameras and old cannons have a lot in common. Great care was/is needed to aim and focus/calculate range before firing. Nowadays, anyone can simple press a button and the result is automatic . . . By the way, if any viewers are named, Will, I was not aiming at you . . . This improvised tripod assisted photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Open the door. Turn the knob clockwise to go into the future. Turn the knob counter-clockwise to go into the past. Or . . . turn around and walk away to stay in the present. This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55 lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Those suffering from vertigo need not apply. This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens and Kowa Y2 ø67 filter using Kodak T-MAX 400 film, scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The plaza in Sonoma is ringed by historic buildings. This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

In the Plaza of Sonoma is a plaque commemorating an 1846 revolt by Yanqui settlers who captured the Mexican garrison here and declared the Bear Flag Republic . The Mexican governor sent 55 men to attempt to crush the rebellion, but General José Castro's forces were defeated at the Battle of Olompali. This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Misión San Francisco Solano. This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss S-Planar 1:5.6 f=120mm lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

And me without a spare tire! This photo was taken by a Minolta Autocord LMX Chiyoko TLR medium format film camera and Seikosha-MX Rokkor 75mm f/3.2 & 3.5 lenses using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Providing water with a smile . . . This photo was taken by a Zenza Bronica S2 medium format film camera and Zenzanon 1:3.5 f=150mm lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

All crew prepare masts and sails for departure. The A.R.C. GLORIA, flagship of the Colombian navy, gives a hearty salute to their host, San Francisco, as it sails southward on a goodwill tour. This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55 lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.