John Oram's photos with the keyword: Los Angeles County Museum of Art

'Extended Forms' (1975) by Richard Hunt, Cor-Ten Steel. Los Angeles County Museum of Art (LACMA). 200_2_P1080241E

'Urban Light' (2008) by Chris Burden, restored cast iron antique street lamps. Los Angeles County Museum of Art (LACMA). 200_2_P1080230C

'Untitled [ Burgher with Extended Arm]' (2014) by Liz Glynn, cast bronze. From the series 'The Myth of Singularity' (2013-2014). In 2013 Glynn made plaster casts from moulds she took from sculptures by Auguste Rodin and constructed eight new sculptures to suggest how replication and recombination inform works that are often regarded as singular acts of brilliance. This action was part of a series of performances titled '[de-] lusions of Grandeur (Monumentality and Other Myths)'. 200_2_P1080219

'Untitled [after Burgher with Frock Coat]' (2014) by Liz Glynn, cast bronze. From the series 'The Myth of Singularity' (2013-2014). In 2013 Glynn made plaster casts from moulds she took from sculptures by Auguste Rodin and constructed eight new sculptures to suggest how replication and recombination inform works that are often regarded as singular acts of brilliance. This action was part of a series of performances titled '[de-] lusions of Grandeur (Monumentality and Other Myths)'. 200_2_P1080223

Detail of 'Untitled [ Burgher with Extended Arm]' (2014) by Liz Glynn, cast bronze. From the series 'The Myth of Singularity' (2013-2014). In 2013 Glynn made plaster casts from moulds she took from sculptures by Auguste Rodin and constructed eight new sculptures to suggest how replication and recombination inform works that are often regarded as singular acts of brilliance. This action was part of a series of performances titled '[de-] lusions of Grandeur (Monumentality and Other Myths)'. 200_2_P1080218

Detail of 'Untitled [after Burgher with Frock Coat]' (2014) by Liz Glynn, cast bronze. From the series 'The Myth of Singularity' (2013-2014). In 2013 Glynn made plaster casts from moulds she took from sculptures by Auguste Rodin and constructed eight new sculptures to suggest how replication and recombination inform works that are often regarded as singular acts of brilliance. This action was part of a series of performances titled '[de-] lusions of Grandeur (Monumentality and Other Myths)'. 200_2_P1080221E

The Lynda and Stewart Resnick Pavilion, Los Angeles County Museum of Art (LACMA). 200_2_P1080217M

'Ode to Frank Gehry' (2000) by Noah Purifoy, assemblage sculpture. Los Angeles County Museum of Art (LACMA). 200_2_P1080213C

The Lynda and Stewart Resnick Pavilion, Los Angeles County Museum of Art (LACMA). 200_2_P1080217

'Levitated Mass' (2012) by Michael Heizer, boulder, concrete, compressed decomposed granite. Los Angeles County Museum of Art (LACMA). 200_2_P1080209

'Levitated Mass' (2012) by Michael Heizer, boulder, concrete, compressed decomposed granite. Los Angeles County Museum of Art (LACMA). 200_2_P1080208

'Levitated Mass' (2012) by Michael Heizer, boulder, concrete, compressed decomposed granite. Los Angeles County Museum of Art (LACMA). 200_2_P1080207

'Levitated Mass' (2012) by Michael Heizer, boulder, concrete, compressed decomposed granite. Los Angeles County Museum of Art (LACMA). 200_2_P1080207M

'Levitated Mass' (2012) by Michael Heizer, boulder, concrete, compressed decomposed granite. Los Angeles County Museum of Art (LACMA). 200_2_P1080205C

'Levitated Mass' (2012) by Michael Heizer, boulder, concrete, compressed decomposed granite. Los Angeles County Museum of Art (LACMA). 200_2_P1080203SC

'Levitated Mass' (2012) by Michael Heizer, boulder, concrete, compressed decomposed granite. Los Angeles County Museum of Art (LACMA). 200_2_P1080206C