William Sutherland's photos with the keyword: Resurrection

Created with Dall-e 2® and Smart Photo Editor® . And on the first of the week, about the third hour of the night, the sun was seen such as it had never at any time shone, and all the heaven was lighted up. [A]n innumerable multitude of angels cr[ied] out… saying: Glory in the highest to God, and on earth peace, among [people] of goodwill: come up out of Hades, ye who have been kept in slavery… And at their voice all the mountains and hills were shaken, and the rocks were burst asunder… [a]nd there were seen… [the] dead raised up… And all the multitude walked about, and sang praises to God… saying: The Lord our God that has risen from the dead has brought to life all the dead, and has plundered Hades, and put him to death. The Report of Pontius Pilate/Letter to Tiberius Early on the first day of the week… Mary of Magdala went to the tomb and saw that the stone had been removed from the entrance… Now Mary stood outside the tomb crying. As she wept, she bent over to look into the tomb and saw two angels in white… They asked her, “Woman, why are you crying?” “They have taken my Lord away,” she said, “and I don’t know where they have put him.” John 20:1, 11-13 [An] angel said… “Do not be afraid... He is not here; he has risen, just as he said!” Matthew 28:5-6

Created 26 April 2021 from three photos – a red sphere, Mount Vernon, NY (8 May 2012), a section of the sculpture “Passage” at Donald M. Kendall Sculpture Gardens, Purchase, NY (9 May 2012), and a Corpus at St. Joseph’s Church, Yonkers, NY (18 October 2009). This creation was inspired by Spanish artist Salvador Dalí’s (1904-1989) “Crucifixion” (Corpus Hypercubus) painted in 1954. The red sphere representing the rock that was found rolled away from Christ’s tomb on Easter morning (c. AD 33) takes the place of Dalí’s hypercube. The section of the sculpture “Passage” by Richard Erdman and Roman Travertine, 1985 represents the empty tomb hewn out of stone. The resurrected Jesus with outstretched arms and radiance emanating from his risen “glorified” body stands in front of the stone (red sphere) that had been rolled away epitomizing the triumph of life over death. The various shades, swirls, and bokeh are intended to represent the same “nuclear mysticism” and surrealism as Dalí’s masterpiece painting. Consequently, the pocked rock of the tomb melds with the sky joining heaven and earth, every point on the sphere’s surface is equidistant from its center representing completeness and perpetuity and the tones, swirls and bokeh portray the transition from the spatial temporal reality of our world to the non-spatial eternity of the Kingdom to come made possible by Christ’s resurrection. Per Jesus Christ’s Resurrection real, according to some scientists (Word Press, 5 April 2010), based on “modern particle physics,” such a resurrection… conceivably… occurred when Jesus’ body “dematerialized” from underneath the burial shroud in which its physical matter was converted into neutrinos and then “rematerialized” when outside… [likely initiated through interaction with anti-neutrinos that caused] the neutrinos [to revert] back into their previous form of matter and… when such… rematerialization took place… the process emitted an abundance of light (photonic energy)… corroborat[ing] biblical accounts of His “glorified” body mentioned in Philippians 3:21.

New Rochelle, NY