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Marble Statue of a Draped Seated Man in the Metropolitan Museum of Art, May 2011


Title: Marble statue of a draped seated man
Artist: Signed by Zeuxis as sculptor
Period: Late Republic or Early Imperial, Augustan
Date: 1st century BCE
Culture: Roman
Medium: Marble, Pentelic
Dimensions: H. 51 1/2 in. (130.8 cm)
Classification: Stone Sculpture
Credit Line: Rogers Fund, 1909
Accession Number: 09.221.4
Copy of a Greek statue of the mid-2nd century B.C.
Seated; fragmentary. Perhaps portrait statue of poet or philosopher; copy Greek original 2nd century B.C.
For the ancient Greeks, it was important to represent the entire figure in a portrait, not just the head as became popular in the Roman period. Although the head of this Roman copy is missing, the turn of the upper body to the left, the three holes beneath the left shoulder, and the angular hollow at the inner side of the left arm suggest that the figure was playing the kithara and consequently, is best identified as a poet. It may be a retrospective portrait of one of the great Greek poets of the Hellenistic age, such as Kallimachos or Theokritos, or perhaps one of the legendary bards of earlier days portrayed in Hellenistic style. On the front of the seat, above the left foot, is the signature of the sculptor Zeuxis. He must have been one of the many copyists of the Roman period who attached their signatures to their works.
Text from: www.metmuseum.org/art/collection/search/248141
Artist: Signed by Zeuxis as sculptor
Period: Late Republic or Early Imperial, Augustan
Date: 1st century BCE
Culture: Roman
Medium: Marble, Pentelic
Dimensions: H. 51 1/2 in. (130.8 cm)
Classification: Stone Sculpture
Credit Line: Rogers Fund, 1909
Accession Number: 09.221.4
Copy of a Greek statue of the mid-2nd century B.C.
Seated; fragmentary. Perhaps portrait statue of poet or philosopher; copy Greek original 2nd century B.C.
For the ancient Greeks, it was important to represent the entire figure in a portrait, not just the head as became popular in the Roman period. Although the head of this Roman copy is missing, the turn of the upper body to the left, the three holes beneath the left shoulder, and the angular hollow at the inner side of the left arm suggest that the figure was playing the kithara and consequently, is best identified as a poet. It may be a retrospective portrait of one of the great Greek poets of the Hellenistic age, such as Kallimachos or Theokritos, or perhaps one of the legendary bards of earlier days portrayed in Hellenistic style. On the front of the seat, above the left foot, is the signature of the sculptor Zeuxis. He must have been one of the many copyists of the Roman period who attached their signatures to their works.
Text from: www.metmuseum.org/art/collection/search/248141
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