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Jar with Rocks, Peonies, and Birds in the Metropolitan Museum of Art, August 2023


Title: Jar decorated with rock, peonies, and birds
Period: Qing dynasty (1644–1911), Shunzhi (1644–61)–Kangxi (1662–1722) period
Date: mid- to late 17th century
Culture: China
Medium: Porcelain painted in underglaze cobalt blue and overglaze enamels (Jingdezhen ware)
Dimensions: H. 11 5/8 in. (29.5 cm) ; Diam. 10 in. (25.4 cm)
Classification: Ceramics
Credit Line: Bequest of Mary Clark Thompson, 1923
Accession Number: 24.80.164a, b
This colorful jar follows the traditional enameling technique developed during the fifteenth century. Featuring a solid tone, the overglaze enamels are polychromatic but blue appears only in the underglaze, as seen in the outlines around the jar’s neck, shoulder, and base. The dominant use of green, appearing in different hues on rocks, leaves, and the birds’ feathers, is typical of the period. Wares of this type are often identified in the West with the French term famille verte, or “green family.”
Text from: www.metmuseum.org/art/collection/search/42394
Period: Qing dynasty (1644–1911), Shunzhi (1644–61)–Kangxi (1662–1722) period
Date: mid- to late 17th century
Culture: China
Medium: Porcelain painted in underglaze cobalt blue and overglaze enamels (Jingdezhen ware)
Dimensions: H. 11 5/8 in. (29.5 cm) ; Diam. 10 in. (25.4 cm)
Classification: Ceramics
Credit Line: Bequest of Mary Clark Thompson, 1923
Accession Number: 24.80.164a, b
This colorful jar follows the traditional enameling technique developed during the fifteenth century. Featuring a solid tone, the overglaze enamels are polychromatic but blue appears only in the underglaze, as seen in the outlines around the jar’s neck, shoulder, and base. The dominant use of green, appearing in different hues on rocks, leaves, and the birds’ feathers, is typical of the period. Wares of this type are often identified in the West with the French term famille verte, or “green family.”
Text from: www.metmuseum.org/art/collection/search/42394
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