Nana by Manet in the Metropolitan Museum of Art, D…
Nana by Manet in the Metropolitan Museum of Art, D…
Nana by Manet in the Metropolitan Museum of Art, D…
Nana by Manet in the Metropolitan Museum of Art, D…
Detail of Nana by Manet in the Metropolitan Museum…
Detail of Nana by Manet in the Metropolitan Museum…
Detail of Nana by Manet in the Metropolitan Museum…
Detail of Nana by Manet in the Metropolitan Museum…
Detail of Nana by Manet in the Metropolitan Museum…
Detail of Nana by Manet in the Metropolitan Museum…
Detail of Nana by Manet in the Metropolitan Museum…
Detail of Nana by Manet in the Metropolitan Museum…
Detail of Nana by Manet in the Metropolitan Museum…
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Detail of Eugene Manet by Degas in the Metropolitan Museum of Art, December 2023


Title: Eugène Manet
Artist: Edgar Degas (French, Paris 1834–1917 Paris)
Date: 1874
Culture: French
Medium: Oil on paper laid down on board
Dimensions: 24 13/16 × 31 5/16 in. (63 × 79.5 cm)
Framed: 37 × 43 5/16 × 3 3/4 in., 17 lb. (94 × 110 × 9.5 cm)
Classification: Paintings
Credit Line: Private collection
Degas painted this portrait of Manet’s younger brother Eugène to mark the occasion of his marriage to Berthe Morisot and offered it to the couple as a wedding gift. It stands out among Degas’s portraits for placing the sitter in a landscape. Both the outdoor setting and his reclined posture recall Manet’s Déjeuner sur l’herbe (1863), for which Eugène had similarly posed, holding a walking stick. Degas exhibited this work at the second Impressionist exhibition, in 1876, along with the oil sketch of Eugène’s sister-in-law, Yves Gobillard, also on view in this gallery.
Text from: www.metmuseum.org/art/collection/search/875725
Artist: Edgar Degas (French, Paris 1834–1917 Paris)
Date: 1874
Culture: French
Medium: Oil on paper laid down on board
Dimensions: 24 13/16 × 31 5/16 in. (63 × 79.5 cm)
Framed: 37 × 43 5/16 × 3 3/4 in., 17 lb. (94 × 110 × 9.5 cm)
Classification: Paintings
Credit Line: Private collection
Degas painted this portrait of Manet’s younger brother Eugène to mark the occasion of his marriage to Berthe Morisot and offered it to the couple as a wedding gift. It stands out among Degas’s portraits for placing the sitter in a landscape. Both the outdoor setting and his reclined posture recall Manet’s Déjeuner sur l’herbe (1863), for which Eugène had similarly posed, holding a walking stick. Degas exhibited this work at the second Impressionist exhibition, in 1876, along with the oil sketch of Eugène’s sister-in-law, Yves Gobillard, also on view in this gallery.
Text from: www.metmuseum.org/art/collection/search/875725
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