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The Artist's Wife by Bartholome in the Metropolitan Museum of Art, December 2023


Title: The Artist's Wife (Périe, 1849–1887) Reading
Artist: Albert Bartholomé (French, Thiverval 1848–1928 Paris)
Date: 1883
Medium: Pastel and charcoal on wove paper, laid down on blue wove paper, laid down on stretched canvas
Dimensions: 19 7/8 x 24 1/8 in. (50.5 x 61.3 cm)
Classification: Drawings
Credit Line: Catharine Lorillard Wolfe Collection, Wolfe Fund, 1990
Accession Number: 1990.117
This composition, with its inventive cropping and velvety passages of pastel, reflects the influence of Degas, who befriended Bartholomé in the early 1880s. The sitter is the artist’s wife, Périe, known to be a "beautiful woman of delicate health, cultivated, and of supreme distinction." Upon her death in 1887 a grief-stricken Bartholomé abandoned painting and pastel. With Degas’s encouragement, he turned to sculpture; the monument he made for Périe's tomb marked the beginning of an accomplished career as a sculptor, working in metal and stone.
Text from: www.metmuseum.org/art/collection/search/435612
Artist: Albert Bartholomé (French, Thiverval 1848–1928 Paris)
Date: 1883
Medium: Pastel and charcoal on wove paper, laid down on blue wove paper, laid down on stretched canvas
Dimensions: 19 7/8 x 24 1/8 in. (50.5 x 61.3 cm)
Classification: Drawings
Credit Line: Catharine Lorillard Wolfe Collection, Wolfe Fund, 1990
Accession Number: 1990.117
This composition, with its inventive cropping and velvety passages of pastel, reflects the influence of Degas, who befriended Bartholomé in the early 1880s. The sitter is the artist’s wife, Périe, known to be a "beautiful woman of delicate health, cultivated, and of supreme distinction." Upon her death in 1887 a grief-stricken Bartholomé abandoned painting and pastel. With Degas’s encouragement, he turned to sculpture; the monument he made for Périe's tomb marked the beginning of an accomplished career as a sculptor, working in metal and stone.
Text from: www.metmuseum.org/art/collection/search/435612
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