Kylix with a Boy Fishing by the Ambrosios Painter…
Kylix with a Boy Fishing by the Ambrosios Painter…
Detail of a Kylix with a Boy Fishing by the Ambros…
Detail of a Kylix with a Boy Fishing by the Ambros…
Lekythos in the Form of a Siren Playing a Harp in…
Lekythos in the Form of a Siren Playing a Harp in…
Girls Playing Knucklebones with Pets in the Boston…
Girls Playing Knucklebones with Pets in the Boston…
Terracotta Barber Cutting a Man's Hair in the Bost…
Terracotta Barber Cutting a Man's Hair in the Bost…
Terracotta Figurine with Movable Limbs in the Bost…
Terracotta Figurine with Movable Limbs in the Bost…
Terracotta Statuette of Polyphemus Reclining and D…
Terracotta Statuette of Polyphemus Reclining and D…
Terracotta Statuette of Polyphemus Squatting on hi…
Terracotta Statuette of Polyphemus Squatting on hi…
Mother with Infant Twins Terracotta Figurine in th…
Mother with Infant Twins Terracotta Figurine in th…
Girls Playing Ephedrismos Terracotta Figurine in t…
Girls Playing Ephedrismos Terracotta Figurine in t…
Greek Money Box and Votive Coins as Offerings in t…
Greek Money Box and Votive Coins as Offerings in t…
Weight with Helios Atop a Sacred Mountain in the B…
Bell Krater by Lykaon Painter in the Boston Museum…
Oinochoe Fragment with Harmodios and Aristogeiton…
Oinochoe Fragment with Harmodios and Aristogeiton…
Detail of a Lekythos from Gela with a Poet in the…
Detail of a Lekythos from Gela with a Poet in the…
Lekythos from Gela with a Poet in the Boston Museu…
Lekythos from Gela with a Poet in the Boston Museu…
Detail of a Kylix with the Game of Kottabos by the…
Detail of a Kylix with the Game of Kottabos by the…
Kylix with the Game of Kottabos by the Foundry Pai…
Kylix with the Game of Kottabos by the Foundry Pai…
Kylix with a Satyr Fluting a Column by the Antipho…
Kylix with a Satyr Fluting a Column by the Antipho…
Detail of the Amphora with Achilles and Troilus by…
Detail of the Amphora with Achilles and Troilus by…
Amphora with Achilles and Troilus by the Painter o…
Amphora with Achilles and Troilus by the Painter o…
Detail of a Hydria with Women at a Fountain House…
Detail of a Hydria with Women at a Fountain House…
Hydria with Women at a Fountain House by the Priam…
Hydria with Women at a Fountain House by the Priam…
Detail of the Psykter by Phintias in the Boston Mu…
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
107 visits
Bell Krater by Lykaon Painter in the Boston Museum of Fine Arts, January 2018


Mixing bowl (bell krater)
the Lykaon Painter
Greek
Classical Period
about 440 B.C.
Place of Manufacture: Greece, Attica, Athens
Medium/Technique: Ceramic, Red Figure
Dimensions: Height: 37.8 cm (14 7/8 in.)
Credit Line: Henry Lillie Pierce Fund
Accession Number: 00.346
Collections: Ancient Greece and Rome
Classifications: Vessels
Catalogue Raisonné: Caskey-Beazley, Attic Vase Paintings (MFA), no. 110.
Description: Side A: Each character has an accompanying inscription (above the head). Aktaion (AKTAION) attacked by dogs; Artemis (ARTEMIS), Lyssa (LYSA), and Zeus (DIOS ) present. Above the inscription 'Aktaion', near the upper border of the picture, is the word 'Euaion' (EVAION).
Side B: Youth standing between two women. Repaired with some restorations.
Under the foot, in the center, the graffito he (HE).
[Label text]:
The myth of Actaeon is illustrated on this bell krater. While hunting with his dogs on Mount Cithaeron, Actaeon happened upon the beautiful goddess Artemis bathing in a spring. So angry that he had seen her without her clothes, Artemis transformed him into a stag. Actaeon's hunting dogs then turned upon him and devoured their master, not recognizing him. In the depiction of the myth here, Artemis stands to the right while Aktaion is attacked by three of his dogs. He is in the process of changing into a deer; two antlers and two pointed ears grow from the top of his head. To the left of Aktaion stands Lyssa, a personification of Fury and Madness. She is dressed in the boots and hide jacket of a hunter, perhaps to indicate that she is acting on behalf of Artemis. Lyssa was also a personification of rabies. Lyssa has infected Aktaion's dogs with madness in order to avenge the dishonor done to Artemis. Zeus stands to the far left, resting his foot on a rock and observing the scene.
Inscriptions: Side A (From L to R)
ΔΙΟΣ
ΛVΣΑ
ΕVΑΙΟΝ
ΑΚΤΑΙΟΝ
ΑΡΤΕΜΙΣ
Graffito under foot: ΗΕ
Provenance: Alessandro Castellani (b. 1823 - d. 1883), Rome; March 17-April 10, 1884, posthumous Castellani sale, Palazzo Castellani, Rome, lot 83. Michal Tyszkiewicz (b. 1828 - d. 1897), Rome [see note 1]. By 1900, Edward Perry Warren, Boston; 1900, sold by Warren to the MFA [see note 2]. (Accession Date: February 1, 1900)
NOTES:
[1] According to Warren's notes and Wilhelm Klein, Die griechischen Vasen mit Lieblingsinschriften (1898), p. 132.
[2] According to L. D. Caskey and J. D. Beazley, Attic Vase Paintings in the Museum of Fine Arts, Boston, II, no. 110, this comes from Vico Equense (NE of Sorrento).
Text from: collections.mfa.org/objects/153650/mixing-bowl-bell-krater
the Lykaon Painter
Greek
Classical Period
about 440 B.C.
Place of Manufacture: Greece, Attica, Athens
Medium/Technique: Ceramic, Red Figure
Dimensions: Height: 37.8 cm (14 7/8 in.)
Credit Line: Henry Lillie Pierce Fund
Accession Number: 00.346
Collections: Ancient Greece and Rome
Classifications: Vessels
Catalogue Raisonné: Caskey-Beazley, Attic Vase Paintings (MFA), no. 110.
Description: Side A: Each character has an accompanying inscription (above the head). Aktaion (AKTAION) attacked by dogs; Artemis (ARTEMIS), Lyssa (LYSA), and Zeus (DIOS ) present. Above the inscription 'Aktaion', near the upper border of the picture, is the word 'Euaion' (EVAION).
Side B: Youth standing between two women. Repaired with some restorations.
Under the foot, in the center, the graffito he (HE).
[Label text]:
The myth of Actaeon is illustrated on this bell krater. While hunting with his dogs on Mount Cithaeron, Actaeon happened upon the beautiful goddess Artemis bathing in a spring. So angry that he had seen her without her clothes, Artemis transformed him into a stag. Actaeon's hunting dogs then turned upon him and devoured their master, not recognizing him. In the depiction of the myth here, Artemis stands to the right while Aktaion is attacked by three of his dogs. He is in the process of changing into a deer; two antlers and two pointed ears grow from the top of his head. To the left of Aktaion stands Lyssa, a personification of Fury and Madness. She is dressed in the boots and hide jacket of a hunter, perhaps to indicate that she is acting on behalf of Artemis. Lyssa was also a personification of rabies. Lyssa has infected Aktaion's dogs with madness in order to avenge the dishonor done to Artemis. Zeus stands to the far left, resting his foot on a rock and observing the scene.
Inscriptions: Side A (From L to R)
ΔΙΟΣ
ΛVΣΑ
ΕVΑΙΟΝ
ΑΚΤΑΙΟΝ
ΑΡΤΕΜΙΣ
Graffito under foot: ΗΕ
Provenance: Alessandro Castellani (b. 1823 - d. 1883), Rome; March 17-April 10, 1884, posthumous Castellani sale, Palazzo Castellani, Rome, lot 83. Michal Tyszkiewicz (b. 1828 - d. 1897), Rome [see note 1]. By 1900, Edward Perry Warren, Boston; 1900, sold by Warren to the MFA [see note 2]. (Accession Date: February 1, 1900)
NOTES:
[1] According to Warren's notes and Wilhelm Klein, Die griechischen Vasen mit Lieblingsinschriften (1898), p. 132.
[2] According to L. D. Caskey and J. D. Beazley, Attic Vase Paintings in the Museum of Fine Arts, Boston, II, no. 110, this comes from Vico Equense (NE of Sorrento).
Text from: collections.mfa.org/objects/153650/mixing-bowl-bell-krater
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.