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Maya Squared Vessel in the Metropolitan Museum of Art, December 2022


Title: Squared vessel
Artist: Lo’ Took’ Akan (?) Xok (Maya, active 8th century)
Date: 755–780
Geography: Guatemala, Naranjo or vicinity, northern Peten
Culture: Maya
Medium: Slip-painted ceramic with post-fire stucco
Dimensions: H. 9 5/8 × W. 6 1/2 × D. 6 3/8 in. (24.45 × 16.51 × 16.19 cm)
Classification: Ceramics-Vessels
Credit Line: Los Angeles County Museum of Art, Anonymous gift
Accession Number: SL.2.2022.11.2
Seated on a throne covered by a jaguar pelt, an old, cigar-smoking, jaguar-eared god presides over an assembly of ten deities. The associated hieroglyphic caption is brief: groups of named gods were aligned at K’inchil, or Great Sun Place, on August 11, 3114 b.c. The consequences of the gathering are unclear, but this mythical event was among those that set the world in order and created the conditions for the advent of people, cities, and kingdoms.
Text from: www.metmuseum.org/art/collection/search/820275
Artist: Lo’ Took’ Akan (?) Xok (Maya, active 8th century)
Date: 755–780
Geography: Guatemala, Naranjo or vicinity, northern Peten
Culture: Maya
Medium: Slip-painted ceramic with post-fire stucco
Dimensions: H. 9 5/8 × W. 6 1/2 × D. 6 3/8 in. (24.45 × 16.51 × 16.19 cm)
Classification: Ceramics-Vessels
Credit Line: Los Angeles County Museum of Art, Anonymous gift
Accession Number: SL.2.2022.11.2
Seated on a throne covered by a jaguar pelt, an old, cigar-smoking, jaguar-eared god presides over an assembly of ten deities. The associated hieroglyphic caption is brief: groups of named gods were aligned at K’inchil, or Great Sun Place, on August 11, 3114 b.c. The consequences of the gathering are unclear, but this mythical event was among those that set the world in order and created the conditions for the advent of people, cities, and kingdoms.
Text from: www.metmuseum.org/art/collection/search/820275
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