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Detail of The Adoration of the Magi by Gerard David in the Metropolitan Museum of Art, January 2022


Title: The Adoration of the Magi
Artist: Gerard David (Netherlandish, Oudewater ca. 1455–1523 Bruges) and Workshop
Date: ca. 1520
Medium: Oil on wood
Dimensions: Overall 27 3/4 x 28 7/8 in. (70.5 x 73.3 cm); painted surface 27 1/2 x 28 3/8 in. (69.2 x 72.1 cm)
Classification: Paintings
Credit Line: The Jack and Belle Linsky Collection, 1982
Accession Number: 1982.60.17
First established in Bruges, Gerard David also joined the painter’s guild in Antwerp in 1515, where his compositions and motifs soon began to circulate. This excellently preserved panel is strongly indebted to David’s work. The extravagantly dressed onlookers, however, are a pure invention of Antwerp art, as is the landscape view with travelers carrying goods for trade. Due to Antwerp’s status as the mercantile center for northern Europe, scenes of the Adoration of the Magi were particularly popular in the city. They served not only a devotional use,but could also be associated with the travel of foreign goods.
Text from: www.metmuseum.org/art/collection/search/436104
Translate into English
Artist: Gerard David (Netherlandish, Oudewater ca. 1455–1523 Bruges) and Workshop
Date: ca. 1520
Medium: Oil on wood
Dimensions: Overall 27 3/4 x 28 7/8 in. (70.5 x 73.3 cm); painted surface 27 1/2 x 28 3/8 in. (69.2 x 72.1 cm)
Classification: Paintings
Credit Line: The Jack and Belle Linsky Collection, 1982
Accession Number: 1982.60.17
First established in Bruges, Gerard David also joined the painter’s guild in Antwerp in 1515, where his compositions and motifs soon began to circulate. This excellently preserved panel is strongly indebted to David’s work. The extravagantly dressed onlookers, however, are a pure invention of Antwerp art, as is the landscape view with travelers carrying goods for trade. Due to Antwerp’s status as the mercantile center for northern Europe, scenes of the Adoration of the Magi were particularly popular in the city. They served not only a devotional use,but could also be associated with the travel of foreign goods.
Text from: www.metmuseum.org/art/collection/search/436104
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