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Portrait Face Mask from Ivory Coast in the Metropolitan Museum of Art, January 2019


Portrait Face Mask (Mblo)
19th–mid-20th century
Baule peoples
Object Details
Title: Portrait Face Mask (Mblo)
Date: 19th–mid-20th century
Geography: Côte d'Ivoire, central Côte d'Ivoire
Culture: Baule peoples
Medium: Wood, pigment, hemp
Dimensions: H. 14 5/8 x W. 5 13/16 x D. 5 in. (37.1 x 14.8 x 12.7 cm)
Classification: Wood-Sculpture
Credit Line: The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
Accession Number: 1979.206.125
In Baule communities, mblo performances feature masked dancers who impersonate familiar subjects, ranging from animals to human caricatures. Mblo dances culminate in a performance that pays tribute to the community’s most admired member. The honored individual is referenced by a mask conceived as his or her artistic "double" or "namesake.
While such works may depict either men or women, they were often commissioned by a man to honor a female relative or created by a carver in homage to a particular woman's dance skills and beauty. Because of their importance, only the best dancers are eligible to wear portrait masks in performance. On such occasions it is required that the portrait's subject, or "double," be present to accompany it.
Text from: www.metmuseum.org/art/collection/search/312340
19th–mid-20th century
Baule peoples
Object Details
Title: Portrait Face Mask (Mblo)
Date: 19th–mid-20th century
Geography: Côte d'Ivoire, central Côte d'Ivoire
Culture: Baule peoples
Medium: Wood, pigment, hemp
Dimensions: H. 14 5/8 x W. 5 13/16 x D. 5 in. (37.1 x 14.8 x 12.7 cm)
Classification: Wood-Sculpture
Credit Line: The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
Accession Number: 1979.206.125
In Baule communities, mblo performances feature masked dancers who impersonate familiar subjects, ranging from animals to human caricatures. Mblo dances culminate in a performance that pays tribute to the community’s most admired member. The honored individual is referenced by a mask conceived as his or her artistic "double" or "namesake.
While such works may depict either men or women, they were often commissioned by a man to honor a female relative or created by a carver in homage to a particular woman's dance skills and beauty. Because of their importance, only the best dancers are eligible to wear portrait masks in performance. On such occasions it is required that the portrait's subject, or "double," be present to accompany it.
Text from: www.metmuseum.org/art/collection/search/312340
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