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Gluttony by Paul Cadmus in the Metropolitan Museum of Art, January 2019


The Seven Deadly Sins: Gluttony
1949
Object Details
Title: The Seven Deadly Sins: Gluttony
Artist: Paul Cadmus (American, New York 1904–1999 Weston, Connecticut)
Date: 1949
Medium: Egg tempera on cardboard
Dimensions: 24 × 11 3/4 in. (61 × 29.8 cm)
Classification: Paintings
Credit Line: Gift of Lincoln Kirstein, 1993
Accession Number: 1993.87.7
Between 1945 and 1949, Cadmus turned his dexterous hand and fertile imagination to rendering the Seven Deadly Sins, a subject with biblical antecedents that artists have explored since the Middle Ages, including Hieronymus Bosch and Pieter Bruegel the Elder. Cadmus’s interpretation extends his predilection for social satire to surreal extremes of excess, vulgarity, and gore. Of the series, Cadmus explained, "I don’t appear as myself, but I am all of the Deadly Sins in a way, as you all are, too."
Text from: www.metmuseum.org/art/collection/search/486328
1949
Object Details
Title: The Seven Deadly Sins: Gluttony
Artist: Paul Cadmus (American, New York 1904–1999 Weston, Connecticut)
Date: 1949
Medium: Egg tempera on cardboard
Dimensions: 24 × 11 3/4 in. (61 × 29.8 cm)
Classification: Paintings
Credit Line: Gift of Lincoln Kirstein, 1993
Accession Number: 1993.87.7
Between 1945 and 1949, Cadmus turned his dexterous hand and fertile imagination to rendering the Seven Deadly Sins, a subject with biblical antecedents that artists have explored since the Middle Ages, including Hieronymus Bosch and Pieter Bruegel the Elder. Cadmus’s interpretation extends his predilection for social satire to surreal extremes of excess, vulgarity, and gore. Of the series, Cadmus explained, "I don’t appear as myself, but I am all of the Deadly Sins in a way, as you all are, too."
Text from: www.metmuseum.org/art/collection/search/486328
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