Deigan Noh Mask in the Metropolitan Museum of Art, March 2019

Deigan Noh Mask
early 17th century


Object Details

Period: Momoyama period (1573–1615)

Date: early 17th century

Culture: Japan

Medium: Wood, gesso, polychrome pigments, and gold accents

Dimensions: H. 8 × W. 5 × D. 3 in. (20.3 × 12.7 × 7.6 cm)

Classification: Masks

Credit Line: Lent by Allen Rosenbaum


The Noh play Lady Aoi (Aoi no Ue) by Zeami is based on Chapter 9, “Leaves of Wild Ginger” (Aoi). Lady Aoi, Genji’s first wife, is possessed by a spirit during childbirth and becomes seriously ill. The culprit appears to be the vengeful spirit of Genji’s neglected former lover, Lady Rokujō, humiliated by Aoi during the “battle of the carriages” scene. Lady Rokujō first appears on stage seeking retribution, wearing the deigan (“gilded” or “golden eyes”) mask. The mask represents a mature woman who carries within her the seeds of supernatural transformation, while simultaneously signaling a demonic spirit that will soon manifest. The large, prominent forehead and gilded eyes are its most distinctive features.

Text from: www.metmuseum.org/art/collection/search/812659