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Bifolium from the Andalusian Pink Quran in the Metropolitan Museum of Art, August 2019

Bifolium from the Andalusian Pink Quran in the Metropolitan Museum of Art, August 2019
Bifolium from the Andalusian Pink Qur'an
ca. 13th century


Object Details

Title: Bifolium from the Andalusian Pink Qur'an

Date: ca. 13th century

Geography: Country of Origin Spain

Medium: Ink, gold, silver, and opaque watercolor on paper

Dimensions: H: 12.5 in (32 cm) x W: 19.75 in (50 cm)

Classification: Codices

Credit Line: Purchase, Friends of Islamic Art Gifts, 2017

Accession Number: 2017.232


This bifolio belongs to a thirteenth-century Spanish manuscript named the "Pink Qur’an," after the hue of the paper. Each folio consists of five lines of text in bold maghribi script with diacritical and vocalization marks in gold outlined in brown, blue, and green. Verse numbers (Sura 7: part of 46–47 and 48–50) appear within gold discs in the form of blue abjad letters outlined in white (the abjad system assigns numerical values to the twenty-eight letters of the Arabic alphabet). The prostration (sajada) mark is a tear drop–shaped element in gold. The folio also contains the word hubus, or "pious foundation," which is pricked with a needle in the top left and right corners. The fine, consistent calligraphy, extensive use of gold, and elaborate illumination suggest that the Pink Qur’an was made for a royal or noble patron in Granada or Valencia. Unlike the traditional square format of Qur’ans from Spain and North Africa, the folios of the Pink Qur’an are rectangular. Another departure from convention is the use of paper, as parchment continued to be used for Qur’ans well into the fourteenth century in this region. The paper is believed to have come from the town of Javita, thirty-five miles southwest of Valencia, reportedly the site of the earliest paper mill in Spain.


Text from: www.metmuseum.org/art/collection/search/751641

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