Terracotta Oinochoe (Chous) Attributed to the Amas…
Terracotta Oinochoe (Chous) Attributed to the Amas…
Detail of a Terracotta Oinochoe (Chous) Attributed…
Marble Statue of an Actor in the Metropolitan Muse…
Marble Statue of an Actor in the Metropolitan Muse…
Daric with Crowned King on the Obverse in the Metr…
Plan of the Villa of P. Fannius Synistor at Bosocr…
Wall Painting from a Reception Hall from the Villa…
Wall Painting from a Reception Hall from the Villa…
Wall Painting from a Reception Hall from the Villa…
Wall Painting from a Reception Hall from the Villa…
Wall Painting from a Reception Hall from the Villa…
Wall Painting from a Reception Hall from the Villa…
Wall Painting from a Reception Hall from the Villa…
Detail of a Wall Painting from a Reception Hall fr…
Seated Woman Playing the Kithara from a Reception…
Detail of a Seated Woman Playing the Kithara from…
Detail of a Seated Woman Playing the Kithara from…
Detail of a Seated Woman Playing the Kithara from…
Detail of a Seated Woman Playing the Kithara from…
Detail of a Seated Woman Playing the Kithara from…
Detail of a Seated Woman Playing the Kithara from…
Detail of a Seated Woman Playing the Kithara from…
Detail of a Marble Stele of a Man in the Metropoli…
Detail of a Marble Stele of a Man in the Metropoli…
Detail of a Marble Stele of a Man in the Metropoli…
Marble Stele of a Man in the Metropolitan Museum o…
Detail of a South Italian Terracotta Deep Bowl in…
South Italian Terracotta Deep Bowl in the Metropol…
Part of a Handle in the Metropolitan Museum of Art…
Detail of a Black Figure Terracotta Neck Pelike in…
Detail of a Black Figure Terracotta Neck Pelike in…
Black Figure Terracotta Neck Pelike in the Metropo…
Close Helmet in the Metropolitan Museum of Art, Se…
Detail of Edward VI by the Workshop of Holbein in…
Edward VI by the Workshop of Holbein in the Metrop…
Detail of Venus & Cupid by Cranach in the Metropol…
Venus & Cupid by Cranach in the Metropolitan Museu…
Madonna and Child by Paolo di Giovanni Fei in the…
Fierce Manjushri in the Metropolitan Museum of Art…
Standing Four-Armed Bodhisattva in the Metropolita…
Bronze Helmet with Crest Holder and Detachable Hor…
Bronze Helmet with Crest Holder and Detachable Hor…
Phillistine Coffin Lid in the British Museum, May…
Phillistine Coffin Lid in the British Museum, May…
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
695 visits
Rosso Antico Torso of a Centaur in the Metropolitan Museum of Art, January 2012


Rosso antico torso of a centaur
Period: Imperial
Date: 1st –2nd century A.D.
Culture: Roman
Medium: Marble, Rosso antico
Dimensions: H. 17 1/2 in. (44.4 cm)
Classification: Stone Sculpture
Credit Line: Rogers Fund, 1909
Accession Number: 09.221.6
Label:
Copy of a Greek statue of the 2nd century B.C.
During the Classical period, centaurs—mythical creatures, half horse and half man—represented to the Greeks the wild, uncivilized aspects of man, but by the second century B.C., they were far more tame and appeared in bucolic park-like settings together with Eros, god of love, and the entourage of Dionysos. This powerful torso carved in rosso antico comes from a statue of a young centaur. It was attached to the body of a horse that must have been carved in a different color marble. The original Hellenistic statue was probably bronze and one of a pair of
centaurs, one old and one young, that were meant to be viewed together. A baby Eros straddled the back of each, inciting the young male and restraining the old one in a poignant evocation of sexual decline. A number of Roman copies survive; the most celebrated pair, carved in black marble, was found in 1736 at Hadrian’s Villa near Rome, and they are now among the most famous ancient works in the Capitoline Museum in Rome.
Text from: www.metmuseum.org/collection/the-collection-online/search/248143
Period: Imperial
Date: 1st –2nd century A.D.
Culture: Roman
Medium: Marble, Rosso antico
Dimensions: H. 17 1/2 in. (44.4 cm)
Classification: Stone Sculpture
Credit Line: Rogers Fund, 1909
Accession Number: 09.221.6
Label:
Copy of a Greek statue of the 2nd century B.C.
During the Classical period, centaurs—mythical creatures, half horse and half man—represented to the Greeks the wild, uncivilized aspects of man, but by the second century B.C., they were far more tame and appeared in bucolic park-like settings together with Eros, god of love, and the entourage of Dionysos. This powerful torso carved in rosso antico comes from a statue of a young centaur. It was attached to the body of a horse that must have been carved in a different color marble. The original Hellenistic statue was probably bronze and one of a pair of
centaurs, one old and one young, that were meant to be viewed together. A baby Eros straddled the back of each, inciting the young male and restraining the old one in a poignant evocation of sexual decline. A number of Roman copies survive; the most celebrated pair, carved in black marble, was found in 1736 at Hadrian’s Villa near Rome, and they are now among the most famous ancient works in the Capitoline Museum in Rome.
Text from: www.metmuseum.org/collection/the-collection-online/search/248143
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.