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Detail of a Terracotta Bell Krater Attributed to the Painter of London E497 in the Metropolitan Museum of Art, February 2012


Terracotta bell-krater (bowl for mixing wine and water)
ca. 440 B.C.
Attributed to the Painter of London E 497
Object Details
Title: Terracotta bell-krater (bowl for mixing wine and water)
Attributed to the Painter of London E 497
Period: Classical
Date: ca. 440 B.C.
Culture: Greek, Attic
Medium: Terracotta; red-figure
Dimensions: H. 11 5/8 in. (29.5 cm)
diameter of mouth 12 13/16 in. (32.6 cm)
Classification: Vases
Credit Line: Fletcher Fund, 1924
Accession Number: 24.97.30
Obverse, Orpheus among the Thracians
Reverse, libation scene
Orpheus, the best known of the mythical musicians, is associated with Thrace in the northernmost part of Greece. After he had descended into the underworld to find his beloved wife, Eurydice, and had lost her, he withdrew into solitude. Feeling rebuffed, Thracian women set upon Orpheus and killed him. Here he is shown seated on a rock formation and engrossed in his music. The central figure, wearing typical Thracian dress, identifies the setting, while the woman who holds a sickle in her left hand foreshadows Orpheus's fate.
Text from: www.metmuseum.org/art/collection/search/251491
ca. 440 B.C.
Attributed to the Painter of London E 497
Object Details
Title: Terracotta bell-krater (bowl for mixing wine and water)
Attributed to the Painter of London E 497
Period: Classical
Date: ca. 440 B.C.
Culture: Greek, Attic
Medium: Terracotta; red-figure
Dimensions: H. 11 5/8 in. (29.5 cm)
diameter of mouth 12 13/16 in. (32.6 cm)
Classification: Vases
Credit Line: Fletcher Fund, 1924
Accession Number: 24.97.30
Obverse, Orpheus among the Thracians
Reverse, libation scene
Orpheus, the best known of the mythical musicians, is associated with Thrace in the northernmost part of Greece. After he had descended into the underworld to find his beloved wife, Eurydice, and had lost her, he withdrew into solitude. Feeling rebuffed, Thracian women set upon Orpheus and killed him. Here he is shown seated on a rock formation and engrossed in his music. The central figure, wearing typical Thracian dress, identifies the setting, while the woman who holds a sickle in her left hand foreshadows Orpheus's fate.
Text from: www.metmuseum.org/art/collection/search/251491
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