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Face Mask of Gu in the Metropolitan Museum of Art, December 2010


Face Mask (Gu)
Date: 19th–mid-20th century
Geography: Côte d'Ivoire, central Côte d'Ivoire
Culture: Guro peoples
Medium: Wood, pigment
Dimensions: H. 11 1/2 x W. 5 3/8 x D. 4 3/8 in. (29.2 x 13.6 x 11.1cm)
Classification: Wood-Sculpture
Credit Line: The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
Accession Number: 1979.206.293
Description:
In Guro culture, distinctions are made between masquerades that are the focus of cults and those that are more secular in nature. A sequence of three sacred masks centers around Zamble, a mythical male being whose form fuses antelope and leopard features. He is in turn complemented by his beautiful wife, Gu, and his wild, grotesque brother, Zuali. Such representations are owned by certain families that use them as the loci of sacrificial offerings proposed by diviners to improve their well-being. In contrast, other Guro mask forms, which serve only as sources of entertainment, are designed by individual performers.
Text from: www.metmuseum.org/Collections/search-the-collections/5000...
Date: 19th–mid-20th century
Geography: Côte d'Ivoire, central Côte d'Ivoire
Culture: Guro peoples
Medium: Wood, pigment
Dimensions: H. 11 1/2 x W. 5 3/8 x D. 4 3/8 in. (29.2 x 13.6 x 11.1cm)
Classification: Wood-Sculpture
Credit Line: The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
Accession Number: 1979.206.293
Description:
In Guro culture, distinctions are made between masquerades that are the focus of cults and those that are more secular in nature. A sequence of three sacred masks centers around Zamble, a mythical male being whose form fuses antelope and leopard features. He is in turn complemented by his beautiful wife, Gu, and his wild, grotesque brother, Zuali. Such representations are owned by certain families that use them as the loci of sacrificial offerings proposed by diviners to improve their well-being. In contrast, other Guro mask forms, which serve only as sources of entertainment, are designed by individual performers.
Text from: www.metmuseum.org/Collections/search-the-collections/5000...
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