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Detail of the Copy of the Virgin and Child after Jan Gossart in the Metropolitan Museum of Art, August 2010


Artist: Copy after Jan Gossart (Netherlandish, about 1522)
Title: Virgin and Child
Medium: Oil on wood
Dimensions: Overall 17 7/8 x 13 5/8 in. (45.4 x 34.6 cm); painted surface 17 1/4 x 13 in. (43.8 x 33 cm)
Classification: Paintings
Credit Line: Gift of J. Pierpont Morgan, 1917
Accession Number: 17.190.17
Gallery Label:
In his biography of Gossart (published in Het Schilder-Boeck of 1604) Karel van Mander wrote: "Among other things, when in the service of the marquis de Veere, Mabuse (Gossart) painted an image of Mary in which the face was painted after the marquis' wife and the little child after her child . . . ." This painting has been linked to Van Mander's statement, and may well be a portrait of Anna van Bergen, the wife of the marquis de Veere, and their son, Hendrik, in the guise of the Virgin and Child. As such, Anna aspired to emulate the standard of ideal virtue and motherhood exemplified by the Virgin.
Text from: www.metmuseum.org/Works_of_Art/collection_database/europe...
Title: Virgin and Child
Medium: Oil on wood
Dimensions: Overall 17 7/8 x 13 5/8 in. (45.4 x 34.6 cm); painted surface 17 1/4 x 13 in. (43.8 x 33 cm)
Classification: Paintings
Credit Line: Gift of J. Pierpont Morgan, 1917
Accession Number: 17.190.17
Gallery Label:
In his biography of Gossart (published in Het Schilder-Boeck of 1604) Karel van Mander wrote: "Among other things, when in the service of the marquis de Veere, Mabuse (Gossart) painted an image of Mary in which the face was painted after the marquis' wife and the little child after her child . . . ." This painting has been linked to Van Mander's statement, and may well be a portrait of Anna van Bergen, the wife of the marquis de Veere, and their son, Hendrik, in the guise of the Virgin and Child. As such, Anna aspired to emulate the standard of ideal virtue and motherhood exemplified by the Virgin.
Text from: www.metmuseum.org/Works_of_Art/collection_database/europe...
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