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Detail of a Rosary Terminal Bead with Lovers and Death's Head in the Metropolitan Museum of Art, January 2011


Rosary Terminal Bead with Lovers and Death's Head
Date: ca. 1500–1525
Geography: Made in, North France or South Netherlands
Culture: North French or South Netherlandish
Medium: Ivory, with emerald pendant, silver-gilt mount
Dimensions: Overall: 5 3/8 x 1 9/16 x 1 11/16 in. (13.6 x 4 x 4.3 cm) ivory only: 2 13/16 x 1 9/16 x 1 11/16 in. (7.2 x 4 x 4.3 cm)
Classification: Ivories
Credit Line: Gift of J. Pierpont Morgan, 1917
Accession Number: 17.190.305
Description:
A string of beads is used as a memory aid in the recitation of the rosary, a multipart devotion to the Virgin. Here, the striking terminal bead announces the constant proximity of death by joining a skull to the pair of vivacious lovers. Such an image is known as a memento mori (reminder of death), as it encourages one to reflect on the transience of life.
Text from: www.metmuseum.org/Collections/search-the-collections/1700...
Date: ca. 1500–1525
Geography: Made in, North France or South Netherlands
Culture: North French or South Netherlandish
Medium: Ivory, with emerald pendant, silver-gilt mount
Dimensions: Overall: 5 3/8 x 1 9/16 x 1 11/16 in. (13.6 x 4 x 4.3 cm) ivory only: 2 13/16 x 1 9/16 x 1 11/16 in. (7.2 x 4 x 4.3 cm)
Classification: Ivories
Credit Line: Gift of J. Pierpont Morgan, 1917
Accession Number: 17.190.305
Description:
A string of beads is used as a memory aid in the recitation of the rosary, a multipart devotion to the Virgin. Here, the striking terminal bead announces the constant proximity of death by joining a skull to the pair of vivacious lovers. Such an image is known as a memento mori (reminder of death), as it encourages one to reflect on the transience of life.
Text from: www.metmuseum.org/Collections/search-the-collections/1700...
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