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Ivory Panel with Symbols of the Four Evangelists in the Metropolitan Museum of Art, August 2007


Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists, 975-1000
South Italian (perhaps Benevento)
Ivory; Overall: 9 1/4 x 5 3/8 x 3/8 in. (23.5 x 13.7 x 0.9 cm)
Gift of J. Pierpont Morgan, 1917 (17.190.38)
This exquisite ivory plaque depicts in symbolic form the four writers of the Gospels surrounding the Lamb of God: Matthew by the winged man, Mark by the winged lion, Luke by the winged ox, and John by the eagle. The character of these symbols is based upon the vision of Saint John in the Book of Revelation (4:6-7). Arranged within the quadrants of a foliated cross, the order of the symbols follows a schema whereby the image of the eagle is displayed at the lower right rather than the normal position at the upper right. Originally this plaque would have covered a deluxe binding of a now-lost Gospel book. In many respects the stylization of the symbols and the type of foliate cross find parallels in manuscript illumination produced within the South Italian region of Benevento. Especially, the illumination of manuscripts produced for the famed Benedictine monastery of Monte Cassino offers a striking comparison to assist in localizing this ivory.
Text from: www.metmuseum.org/Works_of_Art/viewOne.asp?dep=17&vie...
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South Italian (perhaps Benevento)
Ivory; Overall: 9 1/4 x 5 3/8 x 3/8 in. (23.5 x 13.7 x 0.9 cm)
Gift of J. Pierpont Morgan, 1917 (17.190.38)
This exquisite ivory plaque depicts in symbolic form the four writers of the Gospels surrounding the Lamb of God: Matthew by the winged man, Mark by the winged lion, Luke by the winged ox, and John by the eagle. The character of these symbols is based upon the vision of Saint John in the Book of Revelation (4:6-7). Arranged within the quadrants of a foliated cross, the order of the symbols follows a schema whereby the image of the eagle is displayed at the lower right rather than the normal position at the upper right. Originally this plaque would have covered a deluxe binding of a now-lost Gospel book. In many respects the stylization of the symbols and the type of foliate cross find parallels in manuscript illumination produced within the South Italian region of Benevento. Especially, the illumination of manuscripts produced for the famed Benedictine monastery of Monte Cassino offers a striking comparison to assist in localizing this ivory.
Text from: www.metmuseum.org/Works_of_Art/viewOne.asp?dep=17&vie...
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