Fragment of a Terracotta Skyphos Attributed to the…
Fragment of a Terracotta Skyphos Attributed to the…
Detail of a Fragment of a Terracotta Skyphos Attri…
Terracotta Pelike Attributed to the Altamura Paint…
Detail of a Terracotta Pelike Attributed to the Al…
Maya Carved Bowl in the Metropolitan Museum of Art…
Mayan Vessel with Seated Deities in the Metropolit…
Mayan Deity Figure in the Metropolitan Museum of A…
Olmec Baby Figure in the Metropolitan Museum of Ar…
Detail of an Olmec Baby Figure in the Metropolitan…
Mayan Vessel with a Mythological Scene in the Metr…
Mayan Vessel with a Mythological Scene in the Metr…
Pendant with Seated Lord in the Metropolitan Museu…
Roman Bronze Plaque in the Metropolitan Museum of…
Bronze Plaque in the Metropolitan Museum of Art, D…
Marble Head of the so-called Barberini Supplicant…
Marble Head of the so-called Barberini Supplicant…
Severan Portrait of a Man in the Metropolitan Muse…
Severan Portrait of a Man in the Metropolitan Muse…
Roman Marble Funerary Relief in the Metropolitan M…
Detail of a Bronze Statuette of a Satyr in the Met…
Bronze Statuette of a Satyr in the Metropolitan Mu…
Bronze Portrait Bust of a Man in the Metropolitan…
Ostracon with an Epistle of Severos, Bishop of Ant…
Detail of the Shield of Henry II of France in the…
Shield of Henry II of France in the Metropolitan M…
Tibetan Saddle with Stirrups in the Metropolitan M…
Chinese Saddle in the Metropolitan Museum of Art,…
Plaque with a Winged Goddess and Two Attendants in…
Wrathful Buddhist Deity in the Metropolitan Museum…
Wrestler's Weight with Hercules and the Nemean Lio…
Fasting Buddha in the Metropolitan Museum of Art,…
Ritual Altar Set in the Metropolitan Museum of Art…
Stone Corbel Female Head in the Metropolitan Museu…
Terracotta Ampulla of St. Menas in the Metropolita…
Fragmentary Platter with Fish and Rosettes in the…
Ivory Icon with Three Church Fathers in the Metrop…
Fragment of a Painted Wood Panel with a Saint in t…
Bone Plaque with Silenus in the Metropolitan Museu…
Fragment of a Frieze from Bawit with the Miracle o…
Gold Glass Medallion with Mother and Child in the…
Marble Fragment of a Volute Krater in the Metropol…
Terracotta Aryballos in the Form of an Eagle's Hea…
Terracotta Askos in the Form of a Bull in the Metr…
Fragment of a Terracotta Relief with a Woman and C…
Location
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
You can copy the above to your favourite mapping app.
Address: unknown
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
523 visits
Ostracon with Lines from the Iliad in the Metropolitan Museum of Art, January 2011


Ostrakon with Lines from Homer’s Iliad
Date: 580–640
Geography: Made in, Thebes, Byzantine Egypt
Culture: Coptic
Medium: Limestone with ink incription
Dimensions: 4 3/4 x 3 9/16 in. (12 x 9.1 cm)
Classification: Miscellany-Stone
Credit Line: Rogers Fund, 1914
Accession Number: 14.1.140
Description:
Ostraca are texts written on broken pottery, which were employed when parchment was unavailable or too expensive. At Epiphanius a large number of ostraca were discovered in the monastery, including in its rubbish heaps; they record biblical verses, legal documents, sermons, financial accounts, school texts, and letters requesting assistance and prayers. Some reveal that, even at the southernmost border of the Empire, people were still aware of events in the capital, Constantinople.
Ostracon with Lines from Homer’s Iliad
“Sing, goddess, the wrath of Peleus’s son,” the opening line of the Iliad, is written four times, probably as a school exercise in writing cursive Greek. Other lines from Homer are found on other ostraca.
Text from: www.metmuseum.org/Collections/search-the-collections/1700...
Translate into English
Date: 580–640
Geography: Made in, Thebes, Byzantine Egypt
Culture: Coptic
Medium: Limestone with ink incription
Dimensions: 4 3/4 x 3 9/16 in. (12 x 9.1 cm)
Classification: Miscellany-Stone
Credit Line: Rogers Fund, 1914
Accession Number: 14.1.140
Description:
Ostraca are texts written on broken pottery, which were employed when parchment was unavailable or too expensive. At Epiphanius a large number of ostraca were discovered in the monastery, including in its rubbish heaps; they record biblical verses, legal documents, sermons, financial accounts, school texts, and letters requesting assistance and prayers. Some reveal that, even at the southernmost border of the Empire, people were still aware of events in the capital, Constantinople.
Ostracon with Lines from Homer’s Iliad
“Sing, goddess, the wrath of Peleus’s son,” the opening line of the Iliad, is written four times, probably as a school exercise in writing cursive Greek. Other lines from Homer are found on other ostraca.
Text from: www.metmuseum.org/Collections/search-the-collections/1700...
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.