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Head of a Ruler in the Metropolitan Museum of Art, July 2007


Head of a ruler, Akkadian (?), Early Bronze Age; 2300–2000 B.C.
Iran or Mesopotamia
Arsenical copper; H. 34.3 cm
Rogers Fund, 1947 (47.100.80)
During the later third millennium B.C., Mesopotamia was ruled by successive territorial empires. The first—the Akkadian Empire (2350–2150 B.C.)— was centered at Agade, a city still not located by archaeologists but probably near modern Baghdad. The official language of this empire was Akkadian, a Semitic language that differed greatly from Sumerian, which previously had been the predominant language of Mesopotamia. In addition to its political and economic innovations in administering a large territory, the Akkadian court produced innovative art in a powerful and naturalistic style.
This magnificent head portrays a king of the late third millennium B.C. Its heavy-lidded eyes, prominent but unexaggerated nose, full lips, and enlarged ears all suggest a portrait of an actual person. While the date and place of manufacture of this piece have been much debated, its close similarity to the magnificent bronze head found at Nineveh make a late third millennium date most likely. The head is cast almost solid (making it extremely heavy), but a dowel hole at the base would have served to join it to a body or other support, most likely for display in a temple setting.
Text from: www.metmuseum.org/Works_of_Art/viewOne.asp?dep=3&view...
Iran or Mesopotamia
Arsenical copper; H. 34.3 cm
Rogers Fund, 1947 (47.100.80)
During the later third millennium B.C., Mesopotamia was ruled by successive territorial empires. The first—the Akkadian Empire (2350–2150 B.C.)— was centered at Agade, a city still not located by archaeologists but probably near modern Baghdad. The official language of this empire was Akkadian, a Semitic language that differed greatly from Sumerian, which previously had been the predominant language of Mesopotamia. In addition to its political and economic innovations in administering a large territory, the Akkadian court produced innovative art in a powerful and naturalistic style.
This magnificent head portrays a king of the late third millennium B.C. Its heavy-lidded eyes, prominent but unexaggerated nose, full lips, and enlarged ears all suggest a portrait of an actual person. While the date and place of manufacture of this piece have been much debated, its close similarity to the magnificent bronze head found at Nineveh make a late third millennium date most likely. The head is cast almost solid (making it extremely heavy), but a dowel hole at the base would have served to join it to a body or other support, most likely for display in a temple setting.
Text from: www.metmuseum.org/Works_of_Art/viewOne.asp?dep=3&view...
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