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Marble Portrait of the Co-Emperor Lucius Verus in the Metropolitan Museum of Art, February 2008


Relief portrait of the emperor Lucius Verus, ca. 166–170; Antonine
Roman
Marble; H. 14 1/2 in. (36.8 cm)
Rogers Fund, 1913 (13.227.1)
After Antoninus' death, imperial power was for the first time shared between two co-emperors, his adoptive sons Marcus Aurelius (r. 161–80 A.D.) and Lucius Verus (r. 161–69 A.D.). Although relatively weak and a poor administrator, Verus waged a successful war against Parthia and captured Ctesiphon. In this portrait, the face of the emperor assumes a meditative expression with a prominent brow that overshadows his heavy-lidded eyes. His features reflect the mid-Antonine revival of the style of fourth-century B.C. Greek sculpture like the Vatican Meleager. The replication of such elegant Greek originals may have also contributed to the dramatic contrast between smooth skin and drilled locks of hair so typical of sculpture from this period. This portrait comes from a relief that may have been part of an ambitious historical monument, perhaps commemorating the emperor's successful campaign against Parthia.
Text from: www.metmuseum.org/toah/ho/05/eust/ho_13.227.1.htm
Roman
Marble; H. 14 1/2 in. (36.8 cm)
Rogers Fund, 1913 (13.227.1)
After Antoninus' death, imperial power was for the first time shared between two co-emperors, his adoptive sons Marcus Aurelius (r. 161–80 A.D.) and Lucius Verus (r. 161–69 A.D.). Although relatively weak and a poor administrator, Verus waged a successful war against Parthia and captured Ctesiphon. In this portrait, the face of the emperor assumes a meditative expression with a prominent brow that overshadows his heavy-lidded eyes. His features reflect the mid-Antonine revival of the style of fourth-century B.C. Greek sculpture like the Vatican Meleager. The replication of such elegant Greek originals may have also contributed to the dramatic contrast between smooth skin and drilled locks of hair so typical of sculpture from this period. This portrait comes from a relief that may have been part of an ambitious historical monument, perhaps commemorating the emperor's successful campaign against Parthia.
Text from: www.metmuseum.org/toah/ho/05/eust/ho_13.227.1.htm
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