Detail of Lotus Flowers on the Temple of Dendur in…
Ivory Panel with Christ's Entry into Jerusalem in…
Female Dancer in the Metropolitan Museum of Art, S…
Buddhist Guardian Figure in the Metropolitan Museu…
Buddha, Possibly Vairochana in the Metropolitan Mu…
Tang Horse and Rider in the Metropolitan Museum of…
Standing Court Lady in the Metropolitan Museum of…
Standing Buddha in the Metropolitan Museum of Art,…
Female Attendant Carrying a Pillow in the Metropol…
Lovers in the Metropolitan Museum of Art, December…
Majolica Jar in the Metropolitan Museum of Art, De…
Araballo with the Arms of the Hospital of Santa Ma…
Glass Relief Fragment in the Metropolitan Museum o…
Bronze Finial with the Head of Medusa in the Metro…
Glass Relief Fragment in the Metropolitan Museum o…
Bronze Cheekpiece of a Helmet in the Metropolitan…
Terracotta Lamp with Victory in the Metropolitan M…
Sardonyx Cameo with Aurora in a Chariot in the Met…
Sardonyx Cameo with a Bacchic Group in the Metropo…
Saint Bavo in the Metropolitan Museum of Art, June…
Detail of Saint Bavo in the Metropolitan Museum of…
Sofa in the Metropolitan Museum of Art, June 2009
Armchair in the Metropolitan Museum of Art, June 2…
Detail of 19th Century Graffitti on the Temple of…
Sphinx of Hatshepsut in the Metropolitan Museum of…
Crocodile in the Metropolitan Museum of Art, June…
Sphinx of Hatshepsut in the Metropolitan Museum of…
Marble Relief Fragment with Combatant Animals in t…
Rip Van Winkle Returned in the Metropolitan Museum…
Detail of the Versailles Panorama in the Metropoli…
Buddha, Probably Vairochana in the Metropolitan Mu…
Limestone Ossuary with Lid in the Metropolitan Mus…
Terracotta Statuette of a Woman in the Metropolita…
Terracotta Statuette of a Dancing Woman in the Met…
Terracotta Lekythos Attributed to the Pharos Paint…
Roman Terracotta Antefix in the Metropolitan Museu…
Terracotta Pomegranete in the Metropolitan Museum…
Terracotta Kylix Attributed to the Painter of New…
Detail of a Kylix Attributed to Makron in the Met…
Kylix Attributed to Makron in the Metropolitan Mu…
Marble Lid of a Cinerary Chest in the Metropolitan…
Faience Applique with a Bust of Dionysos in the Me…
Terracotta Statuette of Eros Playing a Lyre in the…
Terracotta Statuette of a Boy and a Rooster in the…
Bronze Askos in the Form of a Goatskin in the Metr…
Location
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
You can copy the above to your favourite mapping app.
Address: unknown
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
577 visits
Detail of a Snake with a Crown on the Temple of Dendur in the Metropolitan Museum of Art, June 2009


Title: The Temple of Dendur
Period: Roman Period, Augustus Caesar
Reign: reign of Augustus Caesar
Date: 15 B.C.
Geography: Egypt and Sudan, Nubia, West bank of the Nile River, 50 miles South of Aswan, Dendur
Medium: Aeolian Sandstone
Dimensions: L. from gate to rear of temple 24 m 60 cm (82 ft.)
Credit Line: Given to the United States by Egypt in 1965, awarded to The Metropolitan Museum of Art in 1967, and installed in The Sackler Wing in 1978
Accession Number: 68.154
Description: Egyptian temples were not simply houses for a cult image but also represented, in their design and decoration, a variety of religious and mythological concepts. One important symbolic aspect was based on the understanding of the temple as an image of the natural world as the Egyptians knew it. Lining the temple base are carvings of papyrus and lotus plants that seem to grow from water, symbolized by figures of the Nile god Hapy. The two columns on the porch rise toward the sky like tall bundles of papyrus stalks with lotus blossoms bound with them. Above the gate and temple entrance are images of the sun disk flanked by the outspread wings of Horus, the sky god. The sky is also represented by the vultures, wings outspread, that appear on the ceiling of the entrance porch.
On the outer walls between earth and sky are carved scenes of the king making offerings to deities, who hold scepters and the symbol of life. The figures are carved in sunk relief. In the brilliant Egyptian sunlight, shadows cast along the figures' edges would have emphasized their outlines. Isis, Osiris, their son Horus, and the other deities are identified by their crowns and the inscriptions beside their figures. These scenes are repeated in two horizontal registers. The king is identified by his regalia and by his names, which appear close to his head in elongated oval shapes called cartouches; many of the cartouches simply read "pharaoh." This king was actually Caesar Augustus of Rome, who, as ruler of Egypt, had himself depicted in the traditional regalia of the pharaoh. Augustus had many temples erected in Egyptian style, honoring Egyptian deities. This small temple, built about 15 B.C.E., honored the goddess Isis and, beside her, Pedesi and Pihor, deified sons of a local Nubian chieftain.
In the first room of the temple, reliefs again show the "pharaoh" praying and offering to the gods, but the relief here is raised from the background so that the figures can be seen easily in the more indirect light. From this room one can look into the temple past the middle room used for offering ceremonies and into the sanctuary of the goddess Isis. The only carvings in these two rooms are around the door frame leading into the sanctuary and on the back wall of the sanctuary, where a relief depicts Pihor worshiping Isis, and below – partly destroyed – Pedesi worshiping Osiris.
Text from: www.metmuseum.org/works_of_art/collection_database/egypti...
Period: Roman Period, Augustus Caesar
Reign: reign of Augustus Caesar
Date: 15 B.C.
Geography: Egypt and Sudan, Nubia, West bank of the Nile River, 50 miles South of Aswan, Dendur
Medium: Aeolian Sandstone
Dimensions: L. from gate to rear of temple 24 m 60 cm (82 ft.)
Credit Line: Given to the United States by Egypt in 1965, awarded to The Metropolitan Museum of Art in 1967, and installed in The Sackler Wing in 1978
Accession Number: 68.154
Description: Egyptian temples were not simply houses for a cult image but also represented, in their design and decoration, a variety of religious and mythological concepts. One important symbolic aspect was based on the understanding of the temple as an image of the natural world as the Egyptians knew it. Lining the temple base are carvings of papyrus and lotus plants that seem to grow from water, symbolized by figures of the Nile god Hapy. The two columns on the porch rise toward the sky like tall bundles of papyrus stalks with lotus blossoms bound with them. Above the gate and temple entrance are images of the sun disk flanked by the outspread wings of Horus, the sky god. The sky is also represented by the vultures, wings outspread, that appear on the ceiling of the entrance porch.
On the outer walls between earth and sky are carved scenes of the king making offerings to deities, who hold scepters and the symbol of life. The figures are carved in sunk relief. In the brilliant Egyptian sunlight, shadows cast along the figures' edges would have emphasized their outlines. Isis, Osiris, their son Horus, and the other deities are identified by their crowns and the inscriptions beside their figures. These scenes are repeated in two horizontal registers. The king is identified by his regalia and by his names, which appear close to his head in elongated oval shapes called cartouches; many of the cartouches simply read "pharaoh." This king was actually Caesar Augustus of Rome, who, as ruler of Egypt, had himself depicted in the traditional regalia of the pharaoh. Augustus had many temples erected in Egyptian style, honoring Egyptian deities. This small temple, built about 15 B.C.E., honored the goddess Isis and, beside her, Pedesi and Pihor, deified sons of a local Nubian chieftain.
In the first room of the temple, reliefs again show the "pharaoh" praying and offering to the gods, but the relief here is raised from the background so that the figures can be seen easily in the more indirect light. From this room one can look into the temple past the middle room used for offering ceremonies and into the sanctuary of the goddess Isis. The only carvings in these two rooms are around the door frame leading into the sanctuary and on the back wall of the sanctuary, where a relief depicts Pihor worshiping Isis, and below – partly destroyed – Pedesi worshiping Osiris.
Text from: www.metmuseum.org/works_of_art/collection_database/egypti...
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.