Head of Young Boy in the Getty Villa, July 2008
Head of Hephaistion in the Getty Villa, July 2008
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Cycladic Harp Player in the Getty Villa, July 2008
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The Inner Peristyle Garden in the Getty Villa, Jul…
The Inner Peristyle Garden in the Getty Villa, Jul…
The Inner Peristyle Garden in the Getty Villa, Jul…
The Inner Peristyle Garden in the Getty Villa, Jul…
The Inner Peristyle Garden in the Getty Villa, Jul…
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Reproduction of a Herm Head of the Doryphoros in t…
The Inner Peristyle Garden in the Getty Villa, Jul…
The Inner Peristyle Garden in the Getty Villa, Jul…
Marble Head of Alexander the Great in the Getty Vi…
Torso of Roman Man Wearing Armor in the Getty Vill…
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Detail of a Roman Wall Painting Fragment with a Sc…
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Fragment of a Lion's Head Waterspout in the Getty…
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Bronze Shield Strap with Mythological Scenes in th…
The Exterior of the Getty Villa, July 2008
Theatrical Mask on the Reproduction of the Large F…
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Marble Head of Alexander the Great in the Getty Villa, July 2008


Head of Alexander the Great
Unknown
Greek, about 320 B.C.
Marble
11 7/16 x 10 3/16 x 10 13/16 in.
73.AA.27
Identified by his mass of leonine hair, his young idealized face, and his deep-set, upturned eyes, Alexander the Great was the first Greek ruler to understand and exploit the propagandistic powers of portraiture. Ancient literary sources say that he let only one sculptor carve his portrait: Lysippos, who created the standard Alexander portrait type. In general such portraits incorporated characteristics that had been used earlier for the representation of gods and heroes. This practice was part of Alexander's adoption of the Near Eastern idea of honoring rulers as if they were gods.
This life-size head, said to have been found in Megara, was part of a multi-figured group, which probably served as a funerary monument for some courtier who wanted to associate himself with the ruler. The Getty Museum has over thirty fragments of this group, which might have depicted a sacrificial scene. The participants include Alexander, his companion Hephaistion, a goddess, Herakles, a flute player, and several other figures, as well as animals and birds.
The head was re-carved in antiquity. The left ear was added, the right sideburn shortened, and the lower eyelids recut.
Text from: www.getty.edu/art/gettyguide/artObjectDetails?artobj=8128
Unknown
Greek, about 320 B.C.
Marble
11 7/16 x 10 3/16 x 10 13/16 in.
73.AA.27
Identified by his mass of leonine hair, his young idealized face, and his deep-set, upturned eyes, Alexander the Great was the first Greek ruler to understand and exploit the propagandistic powers of portraiture. Ancient literary sources say that he let only one sculptor carve his portrait: Lysippos, who created the standard Alexander portrait type. In general such portraits incorporated characteristics that had been used earlier for the representation of gods and heroes. This practice was part of Alexander's adoption of the Near Eastern idea of honoring rulers as if they were gods.
This life-size head, said to have been found in Megara, was part of a multi-figured group, which probably served as a funerary monument for some courtier who wanted to associate himself with the ruler. The Getty Museum has over thirty fragments of this group, which might have depicted a sacrificial scene. The participants include Alexander, his companion Hephaistion, a goddess, Herakles, a flute player, and several other figures, as well as animals and birds.
The head was re-carved in antiquity. The left ear was added, the right sideburn shortened, and the lower eyelids recut.
Text from: www.getty.edu/art/gettyguide/artObjectDetails?artobj=8128
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