Shallow Dish with a Rim Cut Out like the Edges of…
Gold Libation Bowl in the Boston Museum of Fine Ar…
Detail of the Gold Libation Bowl in the Boston Mus…
Oinochoe with Birds in the Boston Museum of Fine A…
Woman Kneading Bread in the Boston Museum of Fine…
Man with a Bundle of Wood in the Boston Museum of…
Perfume Vase in the Form of a Head of an African i…
Perfume Vase in the Form of a Woman's Head in the…
Perfume Vase in the Form of a Head of a Helmeted W…
Mug with a Youth Dancing and a Girl Playing the Pi…
Plate with a Nereid Inscribed Thetis Possibly by E…
Detail of a Plate with a Nereid Inscribed Thetis P…
Kylix by Onesimos with Satyr Balancing on a Wine J…
Detail of a Kylix by Onesimos with Satyr Balancing…
Bronze Isis in an Egyptian Headdress with a Sistru…
Portrait of Hadrian in the Boston Museum of Fine A…
Statue of Tyche in the Boston Museum of Fine Arts,…
Head of a Goddess, "The Chios Head," in the Boston…
Woman from a Funerary Naiskos in the Boston Museum…
Woman from a Funerary Naiskos in the Boston Museum…
Detail of a Woman from a Funerary Naiskos in the B…
Haystacks (Effect of Snow and Sun) by Monet in the…
Detail of Haystacks (Effect of Snow and Sun) by Mo…
Neolithic Stone Vessel in the Form of a Hare in th…
Camel Incense Burner in the Boston Museum of Fine…
Phrygian Brooch in the Form of a Lion in the Bosto…
Model of an Oxcart in the Boston Museum of Fine Ar…
Vessel in the Form of a Boot in the Boston Museum…
Infant Feeding Vessels in the Boston Museum of Fin…
Applique in the Form of a Fantastic Beast in the B…
Bronze Openwork Plaque in the Boston Museum of Fin…
Bust of a Female Votary or Priestess in the Boston…
Sasanian Bottle with Cocks and Flowering Plants in…
Sasanian Plate in the Boston Museum of Fine Arts,…
The Annunciation in the Boston Museum of Fine Arts…
Italian Renaissance Plate in the Boston Museum of…
Marriage Box in the Boston Museum of Fine Arts, Ju…
Virgin and Child Enthroned by Buonaccorso in the B…
St. Andrew(?) by Simone Martini in the Boston Muse…
St. John in the Boston Museum of Fine Arts, June 2…
Reliquary in the Form of an Arm in the Boston Muse…
Ivory Marriage Casket in the Boston Museum of Fine…
Detail of the Portrait of Father Philippini by Phi…
Portrait of Father Philippini by Philippe de Champ…
Portrait of a Man Wearing a Black Hat by Rembrandt…
Location
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
You can copy the above to your favourite mapping app.
Address: unknown
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
452 visits
African Mask in the Boston Museum of Fine Arts, June 2010


Mask (bikeghe)
Late 19th to early 20th century
Artist Unidentified, African
Dimensions: 48.26 cm (19 in.)
Accession Number: 1991.1067
Medium or Technique: Wood, pigment
Masks such as this one appeared in Fang initiations and at other ceremonial occasions largely concerned with community crisis and protection. Some of these masks are elongated, others have two or four faces. Both types frequently show white, heart-shaped faces framed by arching brows. This large mask with variegated coloring is called bikeghe and is said to represent a part-human, part-animal force responsible for ensuring social order. Its aggressive projecting brow and sharp nose may have been intended to induce respect or fright.
Provenance: By 1982, Eduardo Uhart, Paris [see note]. June 18, 1986, sold by Pace Primitive and Ancient Art, New York (stock no. 51-7995), to William and Bertha Teel, Marblehead, MA; 1991, year-end gift of William and Bertha Teel to the MFA. (Accession Date: January 22, 1992) NOTE: Yale Van Rijn Archive of African Art, no. 0055543.
Credit Line: Gift of William E. and Bertha L. Teel
Text from: www.mfa.org/collections/object/mask-bikeghe-4711
Late 19th to early 20th century
Artist Unidentified, African
Dimensions: 48.26 cm (19 in.)
Accession Number: 1991.1067
Medium or Technique: Wood, pigment
Masks such as this one appeared in Fang initiations and at other ceremonial occasions largely concerned with community crisis and protection. Some of these masks are elongated, others have two or four faces. Both types frequently show white, heart-shaped faces framed by arching brows. This large mask with variegated coloring is called bikeghe and is said to represent a part-human, part-animal force responsible for ensuring social order. Its aggressive projecting brow and sharp nose may have been intended to induce respect or fright.
Provenance: By 1982, Eduardo Uhart, Paris [see note]. June 18, 1986, sold by Pace Primitive and Ancient Art, New York (stock no. 51-7995), to William and Bertha Teel, Marblehead, MA; 1991, year-end gift of William and Bertha Teel to the MFA. (Accession Date: January 22, 1992) NOTE: Yale Van Rijn Archive of African Art, no. 0055543.
Credit Line: Gift of William E. and Bertha L. Teel
Text from: www.mfa.org/collections/object/mask-bikeghe-4711
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.