Statue of the Virgin in the Cloisters, Sept. 2007
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Detail of a Window with Grisaille Decoration in th…
Detail of a Window with Grisaille Decoration in th…
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Woman with Two Flasks Stained Glass Panel in the C…
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The Saint-Guilhem Cloister in the Cloisters, Sept.…
Vision of a Sleeping Monk Stained Glass Panel in t…
The Saint-Guilhem Cloister in the Cloisters, Sept.…
The Saint-Guilhem Cloister in the Cloisters, Sept.…
Fountain in the Saint-Guilhem Cloister in the Cloi…
The Battlements at the Cloisters, Sept. 2007
View of the George Washington Bridge from the Cloi…
View of the George Washington Bridge from the Cloi…
Exterior Architecture of the Cloisters, Sept. 2007
Exterior of the Cloisters, Sept. 2007
Exterior of the Langon Chapel in the Cloisters, Se…
The Cloisters from a Distance, Sept. 2007
The Cloisters, Sept. 2007
Sepulchral Monument of Ermengol X in the Cloisters…
Detail of the Sepulchral Monument of Ermengol X in…
Sections of a Border Stained Glass in the Cloister…
Stained Glass Panel in the Cloisters, Sept. 2007
Various Panels of Stained Glass in the Cloisters,…
Theodosius Arrives at Ephesus Stained Glass Panel…
Detail of a Virgin and Child Statue in the Cloiste…
Sweetmeat Fork in the Cloisters, Sept. 2007
Detail of a Virgin and Child Statue in the Cloiste…
Virgin and Child Statue in the Cloisters, Sept. 20…
Detail of one of the Head-Shaped Supports of the L…
Lion Relief in the Cloisters, Sept. 2007
Wooden Statue of the Virgin and Child in the Clois…
Mary Magdalene in the Cloisters, Sept. 2007
Seated Virgin and Child in the Cloisters, Sept. 20…
St. Margaret in the Cloisters, Sept. 2007
Marble Virgin and Child in the Cloisters, Sept. 20…
Detail of St. Christopher in the Cloisters, Sept.…
St. Christopher in the Cloisters, Sept. 2007
Terracotta Enthroned Virgin in the Cloisters, Sept…
Head (Perhaps of an Angel) in the Cloisters, Sept.…
Detail of the Pontaut Chapter House in the Cloiste…
Detail of the Pontaut Chapter House in the Cloiste…
Saint Hubert and the Stag Relief in the Cloisters,…
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Statue of a Bishop Saint in the Cloisters, Sept. 2007


Blessing Bishop (Saint Nicholas of Bari)
Date: ca. 1350–75
Geography: Made in probably Umbria, Italy
Culture: Central Italian
Medium: Poplar, paint, gilt
Dimensions: Overall: 73 1/2 x 17 1/2 x 13 1/2 in., 39lb. (186.7 x 44.5 x 34.3 cm, 17690.3g)
Classification: Sculpture-Wood
Credit Line: The Cloisters Collection, 1925
Accession Number: 25.120.218
Label:
The bishop's chasuble, the principle vestment worn by a priest, is represented with a black orphrey ornamented with a series of quatrefoils. The top medallion shows Christ with his hand raised in benediction, while the others contain letters that spell AVE MARIA. The grandeur and nobility of this figure, a rare example of Gothic wood sculpture from Italy, results from the careful balance of the elements of the bishop's vestments-the tall miter and the long elliptical drapery folds-with the attenuated proportions, the frontality of the pose, the authority of the facial expression, and the refinement in the painted surfaces, especially on the face and beard.
Text from: www.metmuseum.org/collection/the-collection-online/search/472312
Date: ca. 1350–75
Geography: Made in probably Umbria, Italy
Culture: Central Italian
Medium: Poplar, paint, gilt
Dimensions: Overall: 73 1/2 x 17 1/2 x 13 1/2 in., 39lb. (186.7 x 44.5 x 34.3 cm, 17690.3g)
Classification: Sculpture-Wood
Credit Line: The Cloisters Collection, 1925
Accession Number: 25.120.218
Label:
The bishop's chasuble, the principle vestment worn by a priest, is represented with a black orphrey ornamented with a series of quatrefoils. The top medallion shows Christ with his hand raised in benediction, while the others contain letters that spell AVE MARIA. The grandeur and nobility of this figure, a rare example of Gothic wood sculpture from Italy, results from the careful balance of the elements of the bishop's vestments-the tall miter and the long elliptical drapery folds-with the attenuated proportions, the frontality of the pose, the authority of the facial expression, and the refinement in the painted surfaces, especially on the face and beard.
Text from: www.metmuseum.org/collection/the-collection-online/search/472312
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